<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Coleman McCormick — Unified Feed</title><description>Long-form writing, link posts, and micro posts from Coleman McCormick.</description><link>https://www.colemanm.org/</link><item><title>2010: Odyssey Two</title><link>https://www.colemanm.org/micro/2026/04/16/2010-odyssey-two/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/04/16/2010-odyssey-two/</guid><description>Michael Whelan&apos;s inspiring cover art for Arthur C. Clarke&apos;s 2010: Odyssey Two.</description><pubDate>Thu, 16 Apr 2026 10:11:02 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/hf-eallbkaatwn2-1776348723517.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;Michael Whelan’s inspiring cover art for Arthur C. Clarke’s &lt;em&gt;&lt;strong&gt;2010: Odyssey Two&lt;/strong&gt;&lt;/em&gt;.&lt;/p&gt;</content:encoded><category>books</category><category>art</category><category>Arthur C. Clarke</category><category>Michael Whelan</category><category>science fiction</category></item><item><title>Brian and Thomas Owens sing Sam Cooke</title><link>https://www.colemanm.org/micro/2026/04/15/brian-and-thomas-owens-sing-sam-cooke/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/04/15/brian-and-thomas-owens-sing-sam-cooke/</guid><description>Father/son duo Brian Owens and Thomas Owens, Sam Cooke&apos;s &quot;A Change is Gonna Come.&quot; What a phenomenal duet.</description><pubDate>Wed, 15 Apr 2026 09:30:58 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=uRQraIUn32s&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Father/son duo &lt;strong&gt;Brian Owens and Thomas Owens&lt;/strong&gt;, Sam Cooke’s “&lt;strong&gt;A Change is Gonna Come&lt;/strong&gt;.”&lt;/p&gt;
&lt;p&gt;What a phenomenal duet.&lt;/p&gt;</content:encoded><category>music</category><category>Brian Owens</category><category>soul</category><category>Sam Cooke</category></item><item><title>C.S. Lewis&apos;s tips for writing</title><link>https://www.colemanm.org/micro/2026/03/06/cs-lewis-tips-for-writing/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/03/06/cs-lewis-tips-for-writing/</guid><description>C.S. Lewis&apos;s tips for becoming a better writer. How quaint to think of a time when the radio was the only external stimulus.</description><pubDate>Fri, 06 Mar 2026 22:39:34 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/ef6d33ae-f918-467b-8192-aa80096ef9be-769x1127-1772854782252.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;C.S. Lewis’s tips for becoming a better writer.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;How quaint to think of a time when the radio was the only external stimulus.&lt;/p&gt;</content:encoded><category>writing</category><category>C.S. Lewis</category></item><item><title>10M</title><link>https://www.colemanm.org/micro/2026/03/04/10m/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/03/04/10m/</guid><description>Search an archive of artworks by mood, feeling, style, or similarity. 10M</description><pubDate>Wed, 04 Mar 2026 16:16:51 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.10m.co/&quot;&gt;10M&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Search an archive of artworks by mood, feeling, style, or similarity.&lt;/p&gt;</content:encoded><category>art</category><category>culture</category></item><item><title>Vin Varma&apos;s notetaking system</title><link>https://www.colemanm.org/micro/2026/03/03/vin-varmas-notetaking-system/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/03/03/vin-varmas-notetaking-system/</guid><description>Vin Varma&apos;s thoughtful notes on his note-taking process. As my understanding deepens, it naturally precipitates into action. Projects start to emerge at various scales. The form follows the understand…</description><pubDate>Tue, 03 Mar 2026 18:08:59 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://internetvin.com/Essays/How+I+Take+Notes+in+the+West+End+of+Toronto&quot;&gt;How I Take Notes in the West End of Toronto&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://x.com/internetvin&quot;&gt;Vin Varma&lt;/a&gt;’s thoughtful notes on his note-taking process.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;As my understanding deepens, it naturally precipitates into action.&lt;/p&gt;
&lt;p&gt;Projects start to emerge at various scales.&lt;/p&gt;
&lt;p&gt;The form follows the understanding. As confusion decreases, experimentation naturally increases.&lt;/p&gt;
&lt;p&gt;For collaborative projects, crystallization takes on another dimension. My role often becomes directional, translating insights and patterns into clear documentation or prototypes that guides team decisions.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Also worth &lt;a href=&quot;https://www.youtube.com/watch?v=6MBq1paspVU&quot;&gt;observing his latest workflow&lt;/a&gt; merging Obsidian and Claude, on Greg Isenberg’s recent podcast.&lt;/p&gt;</content:encoded><category>note-taking</category><category>thinking</category><category>Vin Varma</category><category>Greg Isenberg</category></item><item><title>Flexport Atlas</title><link>https://www.colemanm.org/micro/2026/03/03/flexport-atlas/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/03/03/flexport-atlas/</guid><description>Flexport built a slick app for visualizing global shipping and rail traffic. Flexport Atlas</description><pubDate>Tue, 03 Mar 2026 09:41:17 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://atlas.flexport.com/&quot;&gt;Flexport Atlas&lt;/a&gt;&lt;/p&gt;
&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/flexport-atlas-1772549614559.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;Flexport built a slick app for visualizing global shipping and rail traffic.&lt;/p&gt;</content:encoded><category>logistics</category><category>maps</category></item><item><title>Two roads to longevity</title><link>https://www.colemanm.org/post/two-roads-to-longevity/</link><guid isPermaLink="true">https://www.colemanm.org/post/two-roads-to-longevity/</guid><description>The latest issue of Res Extensa draws parallels between the story of Ford and Rolls-Royce and Stewart Brand&apos;s framework of Low Road and High Road design, from How Buildings Learn. We have polar opposi…</description><pubDate>Mon, 16 Feb 2026 14:59:48 GMT</pubDate><content:encoded>&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/silver-ghost-1771272207442.jpg&quot; alt=&quot;Silver Ghost&quot;&gt;&lt;/p&gt;
&lt;p&gt;The &lt;a href=&quot;https://www.resextensa.co/p/two-roads-to-longevity&quot;&gt;latest issue&lt;/a&gt; of Res Extensa draws parallels between the story of Ford and Rolls-Royce and Stewart Brand’s framework of Low Road and High Road design, from &lt;em&gt;&lt;a href=&quot;https://www.colemanm.org/books/brand-how-buildings-learn/&quot;&gt;How Buildings Learn&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We have polar opposite philosophies of design and construction that each is capable of producing things that well outlast their owners, and this applies to buildings, vehicles, and anything else we bring into our lives.&lt;/p&gt;
&lt;p&gt;The Rolls endured through &lt;em&gt;reliability&lt;/em&gt;. The Model T endured through &lt;em&gt;repairability&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;One inspired the devotion of its owner. The other &lt;em&gt;devoted itself&lt;/em&gt; to its owner.&lt;/p&gt;
&lt;/blockquote&gt;</content:encoded><category>design</category><category>architecture</category><category>engineering</category><category>newsletter</category></item><item><title>Initiation Well</title><link>https://www.colemanm.org/micro/2026/02/10/initiation-well/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/02/10/initiation-well/</guid><description>The Initiation Well at the Quinta da Regaleira estate in Portugal.</description><pubDate>Tue, 10 Feb 2026 16:31:30 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/df62eef9-a363-4635-bd41-c8add463c7a5-1200x945-1770760608780.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;The &lt;strong&gt;Initiation Well&lt;/strong&gt; at the &lt;a href=&quot;https://en.wikipedia.org/wiki/Quinta_da_Regaleira&quot;&gt;Quinta da Regaleira&lt;/a&gt; estate in Portugal.&lt;/p&gt;</content:encoded><category>architecture</category><category>masonry</category><category>Portugal</category></item><item><title>Isometric NYC</title><link>https://www.colemanm.org/post/isometric-nyc/</link><guid isPermaLink="true">https://www.colemanm.org/post/isometric-nyc/</guid><description>Andy Coenen combines AI tools and satellite imagery to create stunning pixel art map of NYC that looks like SimCity 2000 come to life.</description><pubDate>Mon, 26 Jan 2026 09:16:16 GMT</pubDate><content:encoded>&lt;p&gt;Using a combination of Claude, Opus, Nano Banana, and lots of satellite imagery, Andy Coenen built this incredible pixel art map of New York City. It’s like flying over a realistic version of SimCity 2000.&lt;/p&gt;
&lt;p&gt;In this post he details his process for building it.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/iso-nyc-1769437024829.jpg&quot; alt=&quot;Iso NYC&quot;&gt;&lt;/p&gt;
&lt;p&gt;See the full resolution, zoomable map &lt;a href=&quot;https://cannoneyed.com/isometric-nyc/&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;</content:encoded><category>art</category><category>New York City</category><category>AI</category><category>LLMs</category></item><item><title>Mysticism</title><link>https://www.colemanm.org/micro/2026/01/23/mysticism/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/01/23/mysticism/</guid><description>Mysticism keeps men sane. As long as you have mystery you have health; when you destroy mystery you create morbidity. The ordinary man has always been sane because the ordinary man has always been a m…</description><pubDate>Fri, 23 Jan 2026 00:07:41 GMT</pubDate><content:encoded>&lt;p&gt;Mysticism keeps men sane. As long as you have mystery you have health; when you destroy mystery you create morbidity. The ordinary man has always been sane because the ordinary man has always been a mystic. He has permitted the twilight. He has always had one foot in earth and the other in fairyland. He has always left himself free to doubt his gods; but (unlike the agnostic of today) free also to believe in them. He has always cared more for truth than for consistency. If he saw two truths that seemed to contradict each other, he would take the two truths and contradiction along with them. His spiritual sight is stereoscopic, like his physical sight: he sees two different pictures at once and yet sees all the better for that. Thus, he has always believed that there was such a thing as fate, but such a thing as free will also.&lt;/p&gt;</content:encoded><category>GK Chesterton</category><category>mysticism</category><category>enchantment</category></item><item><title>Agent-native architecture</title><link>https://www.colemanm.org/post/agent-native-architecture/</link><guid isPermaLink="true">https://www.colemanm.org/post/agent-native-architecture/</guid><description>Discover agent-native architecture - a new software paradigm that designs systems for both human users and AI agents, focusing on composability and goal-driven interactions.</description><pubDate>Thu, 22 Jan 2026 18:20:00 GMT</pubDate><content:encoded>&lt;p&gt;The folks over at Every published this excellent guide to a new paradigm for software, using what they call “agent-native architecture.”&lt;/p&gt;
&lt;p&gt;In short the idea is that your mental model for thinking about what you’re building shouldn’t be focused only on user interaction, but anything you build should be usable by an agent, too.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/agent-native-arch-1769124394497.jpg&quot; alt=&quot;Agent-native&quot;&gt;&lt;/p&gt;
&lt;p&gt;So software should now be built around concepts like composability, reusable, callable primitives, and emergence. Sometimes an AI can find uses and things your product can do (and that users want to do) that you didn’t plan for. Thinking agent-native will have you building and prioritizing things with a different architecture in mind.&lt;/p&gt;
&lt;p&gt;When we can design software around users setting &lt;em&gt;goals&lt;/em&gt; and having agents pursue them, we end up with something much different than thinking only in database schemas and CRUD.&lt;/p&gt;</content:encoded><category>agents</category><category>AI</category><category>software</category></item><item><title>Resistance is signal</title><link>https://www.colemanm.org/post/resistance-is-signal/</link><guid isPermaLink="true">https://www.colemanm.org/post/resistance-is-signal/</guid><description>Luca Dellanna with thoughts on Pressfield&apos;s &quot;resistance.&quot;</description><pubDate>Thu, 22 Jan 2026 09:00:24 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://x.com/DellAnnaLuca&quot;&gt;Luca Dellanna&lt;/a&gt; on Resistance:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The point is that going to the gym is an activity, like many others, where you can technically produce its inputs in a negative mental state, but they won’t be good enough to bring satisfying results unless done with confidence. Therefore, chronic resistance is not something to dismiss or power through, but something to acknowledge, dissect, and address until resolved.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;“Just powering through” resistance makes it more difficult to resolve its causes. In my view, the persistence and grit you develop getting used to powering through is a skill in itself, but Luca’s point is that resistance is &lt;em&gt;telling you something&lt;/em&gt; about its causes. If you think deeply enough about the chain of causes, you can diagnose and treat at least certain aspects of the resistance to lessen its effect over time.&lt;/p&gt;</content:encoded><category>behavior</category><category>habits</category></item><item><title>Running in 2025</title><link>https://www.colemanm.org/post/running-in-2025/</link><guid isPermaLink="true">https://www.colemanm.org/post/running-in-2025/</guid><description>Stats on running in 2025.</description><pubDate>Wed, 21 Jan 2026 16:59:04 GMT</pubDate><content:encoded>&lt;p&gt;I started out the year with the goal to run 1,000 miles. No other rules or restrictions, just get the miles in.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/run-anclote-1769091743206.jpg&quot; alt=&quot;Image&quot;&gt;&lt;/p&gt;
&lt;p&gt;That meant keeping a steady pace throughout the whole year. It worked out to 2.74 miles/day, the hardest annual goal I’ve ever set by almost double. I did 650 a few years back.&lt;/p&gt;
&lt;p&gt;I didn’t want to push the mileage too hard for fear of getting injured, but also didn’t want to lag more than a few miles off the pace in case I ended up sick or otherwise indisposed.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/2025-run-cumulative-1769034148662.jpg&quot; alt=&quot;Cumulative runs&quot;&gt;&lt;/p&gt;
&lt;p&gt;Here are some of the notable stats on the year.&lt;/p&gt;
&lt;h2 id=&quot;totals&quot;&gt;Totals&lt;/h2&gt;





























&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;th&gt;Stat&lt;/th&gt;&lt;th&gt;Value&lt;/th&gt;&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;Total Runs&lt;/td&gt;&lt;td&gt;&lt;strong&gt;174&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Total Miles&lt;/td&gt;&lt;td&gt;&lt;strong&gt;1,003.26 mi&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Total Time&lt;/td&gt;&lt;td&gt;&lt;strong&gt;167 hours&lt;/strong&gt; (7 full days)&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Total Calories&lt;/td&gt;&lt;td&gt;&lt;strong&gt;119,362&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Total Elevation Gain&lt;/td&gt;&lt;td&gt;&lt;strong&gt;32,180 ft&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;h2 id=&quot;averages&quot;&gt;Averages&lt;/h2&gt;





























&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;th&gt;Metric&lt;/th&gt;&lt;th&gt;Value&lt;/th&gt;&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;Miles per activity&lt;/td&gt;&lt;td&gt;&lt;strong&gt;5.77 mi&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Running time&lt;/td&gt;&lt;td&gt;&lt;strong&gt;57:37&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Average pace&lt;/td&gt;&lt;td&gt;&lt;strong&gt;9:59/mi&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Average heart rate&lt;/td&gt;&lt;td&gt;&lt;strong&gt;151 bpm&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Temperature&lt;/td&gt;&lt;td&gt;&lt;strong&gt;79°F&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;h2 id=&quot;extremes&quot;&gt;Extremes&lt;/h2&gt;

























&lt;table&gt;&lt;thead&gt;&lt;tr&gt;&lt;th&gt;Metric&lt;/th&gt;&lt;th&gt;Value&lt;/th&gt;&lt;/tr&gt;&lt;/thead&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;Longest run&lt;/td&gt;&lt;td&gt;&lt;strong&gt;40.03 miles&lt;/strong&gt; (Pinellas Trail Challenge)&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Max heart rate&lt;/td&gt;&lt;td&gt;&lt;strong&gt;178 bpm&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Hottest run&lt;/td&gt;&lt;td&gt;&lt;strong&gt;93°F&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;Coldest run&lt;/td&gt;&lt;td&gt;&lt;strong&gt;44°F&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</content:encoded><category>running</category><category>health</category></item><item><title>A method for changing systems</title><link>https://www.colemanm.org/micro/2026/01/20/a-method-for-changing-systems/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/01/20/a-method-for-changing-systems/</guid><description>What the American Constitution established was not simply a particular system but a process for changing systems, practices, and leaders, together with a method of constraining whoever or whatever was…</description><pubDate>Tue, 20 Jan 2026 16:39:31 GMT</pubDate><content:encoded>&lt;p&gt;What the American Constitution established was not simply a particular system but a process for changing systems, practices, and leaders, together with a method of constraining whoever or whatever was ascendant at any given time.&lt;/p&gt;</content:encoded><category>Thomas Sowell</category><category>american history</category><category>government</category></item><item><title>The Turkish gulet</title><link>https://www.colemanm.org/micro/2026/01/20/the-turkish-gulet/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/01/20/the-turkish-gulet/</guid><description>In today&apos;s accidental internet discovery, I ran across the &quot;gulet&quot;, a two-masted style of sailboat from Turkey.</description><pubDate>Tue, 20 Jan 2026 16:37:31 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/ya-selam-turkey-1768946222634.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;In today’s accidental internet discovery, I ran across the “&lt;a href=&quot;https://en.wikipedia.org/wiki/Gulet&quot;&gt;gulet&lt;/a&gt;”, a two-masted style of sailboat from Turkey.&lt;/p&gt;</content:encoded><category>boats</category></item><item><title>Mores, then laws, then geography</title><link>https://www.colemanm.org/micro/2026/01/20/mores-then-laws-then-geography/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/01/20/mores-then-laws-then-geography/</guid><description>But the strongest prop of American order, Tocqueville found, was their body of moral habits. “I here mean the term ‘mores’ (moeurs) to have its original Latin meaning; I mean it to apply not only to “…</description><pubDate>Tue, 20 Jan 2026 16:24:06 GMT</pubDate><content:encoded>&lt;p&gt;But the strongest prop of American order, Tocqueville found, was their body of moral habits. “I here mean the term ‘mores’ (moeurs) to have its original Latin meaning; I mean it to apply not only to “moeurs” in the strict sense, which might be called the habits of the heart, but also to the different notions possessed by men, the various opinions current among them, and the sum of ideas that shape mental habits.” Their religious beliefs in particular, and also their general literacy and their education through practical experience, gave to the Americans a set of moral convictions—one almost might say moral prejudices, as Edmund Burke would have put it—that compensated for the lack of imaginative leadership and institutional controls.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;“It is their mores, then, that make the Americans of the United States, alone among Americans, capable of maintaining the rule of democracy; and it is mores again that make the various Anglo-American democracies more or less orderly and prosperous,”&lt;/strong&gt; Tocqueville concluded.&lt;/p&gt;
&lt;p&gt;“Europeans exaggerate the influence of geography on the lasting powers of democratic institutions. &lt;strong&gt;Too much importance is attached to laws and too little to mores.&lt;/strong&gt; Unquestionably those are the three great influences which regulate and direct American democracy, but if they are to be classed in order, I should say that &lt;strong&gt;the contribution of physical causes is less than that of the laws, and that of laws less than mores&lt;/strong&gt;… The importance of mores is a universal truth to which study and experience continually bring us back. I find it occupies the central position in my thoughts; all my ideas come back to it in the end.”&lt;/p&gt;</content:encoded><category>Alexis de Tocqueville</category><category>history</category><category>american history</category><category>culture</category><category>tradition</category></item><item><title>One good habit at a time</title><link>https://www.colemanm.org/micro/2026/01/20/one-good-habit-at-a-time/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2026/01/20/one-good-habit-at-a-time/</guid><description>For the rest, we should look for the improvement of society, as we seek our own individual improvement, in relatively minute particulars. We cannot say: &apos;I shall make myself into a different person&apos;;…</description><pubDate>Tue, 20 Jan 2026 16:18:45 GMT</pubDate><content:encoded>&lt;p&gt;For the rest, we should look for the improvement of society, as we seek our own individual improvement, in relatively minute particulars. We cannot say: ‘I shall make myself into a different person’; we can only say: ‘I will give up this bad habit, and endeavour to contract this good one.’&lt;/p&gt;
&lt;p&gt;So of society we can only say: ‘We shall try to improve it in this respect or the other, where excess or defect is evident; we must try at the same time to embrace so much in our view, that we may avoid, in putting one thing right, putting something else wrong.’&lt;/p&gt;</content:encoded><category>T.S. Eliot</category><category>culture</category><category>habits</category></item><item><title>Gridfinity Generator</title><link>https://www.colemanm.org/post/gridfinity-generator/</link><guid isPermaLink="true">https://www.colemanm.org/post/gridfinity-generator/</guid><description>Create custom modular organization containers with this web-based Gridfinity Generator tool - perfect for 3D printing drawer organizers and storage bins.</description><pubDate>Fri, 09 Jan 2026 09:07:03 GMT</pubDate><content:encoded>&lt;p&gt;We’re deep into 3D printing over here after getting a Bambu Lab P2S for Christmas.&lt;/p&gt;
&lt;p&gt;Mostly so far it’s been Everett and I finding models on the web and printing in different colors. Learning the basics of the slicer software and parameters, tweaking print settings. I’ve only just started dabbling back in CAD (and the skills are rusted all the way through). Fusion 360 is powerful, though. Planning to get Everett in there and learning some basics like I did when I was young — but back then it was like AutoCAD 5.0 or something.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/gridfinity-generator-1767968297294.jpg&quot; alt=&quot;Image&quot;&gt;&lt;/p&gt;
&lt;p&gt;One thing I wanted to do with this was create organization containers for drawers around the house. I discovered the Gridfinity system, which is an open source spec for printing modular trays and bins.&lt;/p&gt;
&lt;p&gt;Then I found this &lt;a href=&quot;https://gridfinitygenerator.com/&quot;&gt;Gridfinity Generator&lt;/a&gt; tool by &lt;a href=&quot;https://x.com/Mangetarkort&quot;&gt;Marcus Svensson&lt;/a&gt;. A slick web-based CAD for quickly creating custom grids and bins.&lt;/p&gt;</content:encoded><category>3d printing</category></item><item><title>How terminals work</title><link>https://www.colemanm.org/post/how-terminals-work/</link><guid isPermaLink="true">https://www.colemanm.org/post/how-terminals-work/</guid><description>A vibecoded explainer of how *nix terminals work.</description><pubDate>Thu, 08 Jan 2026 16:55:46 GMT</pubDate><content:encoded>&lt;p&gt;Software builders already spent quite a bit of time on the terminal. AI coding (especially Claude Code) has made the terminal not only an I/O mechanism for working with a system, but also an IDE and complete interface for building software.&lt;/p&gt;
&lt;p&gt;Brian Lovin &lt;a href=&quot;https://x.com/brian_lovin/status/2009046532218372262&quot;&gt;posted on X&lt;/a&gt; this site he built to explain the underlying tech of terminals.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/how-terminals-work-1767909753715.jpg&quot; alt=&quot;Image&quot;&gt;&lt;/p&gt;
&lt;p&gt;We’re only seeing the very beginnings of the cool stuff that’s now possible — or rather &lt;em&gt;worthwhile&lt;/em&gt; — to build when it only costs you a few prompts.&lt;/p&gt;</content:encoded><category>technology</category><category>terminal</category><category>command line</category></item><item><title>Herbie Hancock&apos;s start with Miles</title><link>https://www.colemanm.org/micro/2025/12/19/herbie-hancocks-start-with-miles/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/12/19/herbie-hancocks-start-with-miles/</guid><description>Herbie Hancock on his introduction to Miles Davis. Herbie got his start with Donald Byrd. And Byrd gave him the push to go seize the opportunity to join Miles&apos;s second great quintet).</description><pubDate>Fri, 19 Dec 2025 16:10:04 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=W5TCj6c74PQ&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Herbie Hancock on his introduction to Miles Davis.&lt;/p&gt;
&lt;p&gt;Herbie got his start with Donald Byrd. And Byrd gave him the push to go seize the opportunity to join Miles’s &lt;a href=&quot;https://en.wikipedia.org/wiki/Miles_Davis_Quintet#Second_Great_Quintet_(1964%E2%80%9368)&quot;&gt;second great quintet&lt;/a&gt;.&lt;/p&gt;</content:encoded><category>music</category><category>video</category><category>Herbie Hancock</category><category>Miles Davis</category><category>jazz</category></item><item><title>My productivity app is a never-ending .txt file</title><link>https://www.colemanm.org/micro/2025/12/19/my-productivity-app-is-a-never-ending-txt-file/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/12/19/my-productivity-app-is-a-never-ending-txt-file/</guid><description>Jeff Huang writes about his 14 year old productivity system of simply using an ever-growing single text file to house everything. To-dos, meeting notes, ideas. Everything. Good reminder that you can h…</description><pubDate>Fri, 19 Dec 2025 08:59:59 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://jeffhuang.com/productivity_text_file/&quot;&gt;My productivity app is a never-ending .txt file&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Jeff Huang writes about his 14 year old productivity system of simply using an ever-growing single text file to house everything.&lt;/p&gt;
&lt;p&gt;To-dos, meeting notes, ideas. Everything.&lt;/p&gt;
&lt;p&gt;Good reminder that you can have a high production function without 27 productivity tools.&lt;/p&gt;</content:encoded><category>productivity</category><category>systems</category></item><item><title>Poverty of attention</title><link>https://www.colemanm.org/micro/2025/12/16/poverty-of-attention/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/12/16/poverty-of-attention/</guid><description>In a wealth of information there is a poverty of attention.</description><pubDate>Tue, 16 Dec 2025 23:18:19 GMT</pubDate><content:encoded>&lt;p&gt;In a wealth of information there is a poverty of attention.&lt;/p&gt;</content:encoded><category>Herbert Simon</category><category>attention</category><category>information</category></item><item><title>Leuven Town Hall</title><link>https://www.colemanm.org/micro/2025/12/16/leuven-town-hall/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/12/16/leuven-town-hall/</guid><description>Leuven Town Hall. Flemish Brabant, Belgium.</description><pubDate>Tue, 16 Dec 2025 23:04:46 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/leuven-town-hall-1-1765944308284.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/leuven-town-hall-2-1765944315921.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Leuven Town Hall&lt;/strong&gt;. Flemish Brabant, Belgium.&lt;/p&gt;</content:encoded><category>architecture</category><category>design</category><category>Belgium</category><category>gothic</category></item><item><title>Making a Steinway piano</title><link>https://www.colemanm.org/post/making-a-steinway-piano/</link><guid isPermaLink="true">https://www.colemanm.org/post/making-a-steinway-piano/</guid><description>The year-long process of hand making a Steinway grand piano.</description><pubDate>Wed, 10 Dec 2025 15:40:51 GMT</pubDate><content:encoded>&lt;p&gt;I ran across this documentary about the making of a Steinway grand piano.&lt;/p&gt;
&lt;div class=&quot;video-container&quot; style=&quot;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; margin: 1.5rem 0;&quot;&gt;
  &lt;iframe src=&quot;https://www.youtube.com/embed/6rAhps4AkT8&quot; title=&quot;YouTube video&quot; style=&quot;position: absolute; top: 0; left: 0; width: 100%; height: 100%;&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen loading=&quot;lazy&quot;&gt;&lt;/iframe&gt;
&lt;/div&gt;
&lt;p&gt;The process of constructing one of these takes a year or more. It’s a great example of handmade craftsmanship in a world where we’ve mechanized every step, and oriented so much manufacturing to mass production. A Steinway is still made by a hundred masters, each honing a skillset for decades.&lt;/p&gt;
&lt;p&gt;In a world where most everything is mass-produced, it’s no surprise that hand craftsmanship becomes a luxury good. As costs drop on manufactured versions, demand for the art form of hand tooling falls, skilled artisans begin to disappear.&lt;/p&gt;
&lt;p&gt;I hope in more domains we’ll have a renaissance of handcrafted things. Not just on the demand side — with more people interested in buying them — but also in the supply: more kids interested in becoming furniture makers instead of financiers, artisans instead of attorneys.&lt;/p&gt;
&lt;p&gt;One note I love on the Steinway process (and would be the same for many other crafts) is how many of its makers are working class locals, people with the nugget of a talent or a knack for craft that found a calling, showing up to the factory every day and filing that skill to a razor sharp point.&lt;/p&gt;
&lt;p&gt;One day I’ll find a spare $100K for my own 9 foot ebony grand.&lt;/p&gt;</content:encoded><category>video</category><category>music</category><category>craftsmanship</category></item><item><title>Organized knowledge</title><link>https://www.colemanm.org/micro/2025/12/09/organized-knowledge/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/12/09/organized-knowledge/</guid><description>Science is organized knowledge. Wisdom is organized life.</description><pubDate>Tue, 09 Dec 2025 22:04:09 GMT</pubDate><content:encoded>&lt;p&gt;Science is organized knowledge. Wisdom is organized life.&lt;/p&gt;</content:encoded><category>Immanuel Kant</category><category>science</category><category>quotes</category></item><item><title>Storehouses of history</title><link>https://www.colemanm.org/post/storehouses-of-history/</link><guid isPermaLink="true">https://www.colemanm.org/post/storehouses-of-history/</guid><description>When old corporate buildings preserve a heritage.</description><pubDate>Sun, 07 Dec 2025 12:01:39 GMT</pubDate><content:encoded>&lt;p&gt;As I was reading &lt;a href=&quot;https://www.honest-broker.com/p/the-war-between-silicon-valley-and&quot;&gt;this article&lt;/a&gt; from Ted Gioia the other day, I noticed in this image he used a logo I recognized:&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/kress-hollywood-1765127032542.jpg&quot; alt=&quot;Kress building in Hollywood&quot;&gt;&lt;/p&gt;
&lt;p&gt;This is Hollywood Boulevard from the 1930s. Notice the Kress Building on the far side of the street.&lt;/p&gt;
&lt;p&gt;It reminded me of our own Kress Building in downtown St. Petersburg, FL:&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/kress-stpete-1765127150620.jpg&quot; alt=&quot;Kress building St. Pete&quot;&gt;&lt;/p&gt;
&lt;p&gt;And the one in Tampa:&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/kress-tampa-1765127171702.jpg&quot; alt=&quot;Kress Tampa&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/S._H._Kress_%26_Co.&quot;&gt;SH Kress &amp;#x26; Co&lt;/a&gt; was a five-and-dime store chain that’s been defunct for over 20 years. Though you’d think there’s nothing noteworthy about a chain of the dollar stores of their day, they’ve left a legacy of interesting preservation-worthy architecture in cities across the United States.&lt;/p&gt;
&lt;p&gt;Many of these still stand as beautiful specimens of historical architectural styles. The St. Pete one in Beaux-Arts style, Tampa in a Renaissance Revival. Or this gorgeous Art Deco example from Fort Worth, Texas:&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;https://www.colemanm.org/images/post-images/kress-ftworth-1765127191115.jpg&quot; alt=&quot;Image&quot;&gt;&lt;/p&gt;
&lt;p&gt;In our modern culture of thrifty, modern, utilitarian design, there’s no way a corporation would invest in this kind of general public good.&lt;/p&gt;
&lt;p&gt;In their day, these buildings functioned as stores: places to sell cheap things people needed. But they doubled as beautiful additions to the cityscape.&lt;/p&gt;
&lt;p&gt;Are there any going concerns today about which we could say the same? What generic commercial building erected in the 2000s or beyond will be worthy of preservation and reuse in the 2100s?&lt;/p&gt;</content:encoded><category>architecture</category><category>design</category><category>cities</category></item><item><title>Return to smoke-filled rooms</title><link>https://www.colemanm.org/post/return-to-smoke-filled-rooms/</link><guid isPermaLink="true">https://www.colemanm.org/post/return-to-smoke-filled-rooms/</guid><description>Jonah Goldberg on the brokenness of our primary system.</description><pubDate>Thu, 04 Dec 2025 12:23:39 GMT</pubDate><content:encoded>&lt;p&gt;Jonah Goldberg with one of his classic broadsides against our broken primary system:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;People hate on “smoke-filled rooms” because they think such venues give the rich and powerful undue influence over the nominating process. That is surely the case, though it did produce some pretty good presidents. It also produced some bad ones, though the blame for their failures can rarely be put at the feet of Fat Cats and Robber Barons. But the brief against smoke-filled rooms leaves out the fact that primaries are steamy garbage dumps for the same forces. The “money primary” and the “media primary” aren’t pristine processes either. Indeed, the primaries provide a form of “democracy washing” the influence of big money and rampant demagoguery—by the candidates and their donors and media boosters. What the primary system does is cut out the gatekeepers, the institutionalists, the small-r republican figures who care about the integrity of the party, the salience of various unsexy issues, and this thing called “governance.” When the party is in control, it still cares a lot about winning, but it also cares about the long-term viability of the party, its issues, and down-ballot candidates. Congressmen who want to get reelected might want a more boring presidential candidate that will put the party above his own ego and self-interest.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When some, like Jonah, want a return to smoke-filled rooms, the democracy-above-all crowd screams that with elites and gatekeepers between The People and their choices, it’s some kind of tyranny. What they fail to appreciate is how patently &lt;em&gt;undemocratic&lt;/em&gt; the &lt;strong&gt;existing&lt;/strong&gt; primary system is.&lt;/p&gt;
&lt;p&gt;“Democracy washing” is such a great term to describe the current system. Pure, popular-democracy primaries give us a simulacrum of choice, without the underlying reality. If we don’t slog through the messy horse-trading and argumentation of the old 1880 style Jonah writes about during Garfield’s time, we trade better results for the ability to pretend The People are in the driver’s seat.&lt;/p&gt;
&lt;p&gt;The patient slog through debate and argument &lt;em&gt;is&lt;/em&gt; the process of better results simmering in the oven. Sure, we can bake the ribs in the toaster, but let me know how those turn out compared to giving them time to braise.&lt;/p&gt;
&lt;p&gt;Like many things in our immature culture, we get so preoccupied with processes &lt;em&gt;looking&lt;/em&gt; the way we want them to that we never do the mental trade-offs to determine if we’re getting better or worse results. Or if the thing we think is happening is &lt;em&gt;even happening in the first place&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;(The link to the article might be paywalled. But take that as  tip to subscribe to The Dispatch.)&lt;/em&gt;&lt;/p&gt;</content:encoded><category>politics</category><category>government</category><category>Jonah Goldberg</category><category>James Garfield</category><category>elections</category></item><item><title>Return to Forever, Live from Jazzaldia</title><link>https://www.colemanm.org/micro/2025/11/18/return-to-forever-live-from-jazzaldia/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/11/18/return-to-forever-live-from-jazzaldia/</guid><description>Return to Forever, Live from Jazzaldia San Sebastian, 2008. A great live concert from a reunion of legends. Each of these guys was a noteworthy player in his own right. Return to Forever is one of the…</description><pubDate>Tue, 18 Nov 2025 11:04:40 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=NGJ2AaIVGl8&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Return to Forever&lt;/em&gt;, Live from Jazzaldia San Sebastian, 2008.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;A great live concert from a reunion of legends. Each of these guys was a noteworthy player in his own right. &lt;em&gt;Return to Forever&lt;/em&gt; is one of the great jazz fusion projects. The whole discography is transformative.&lt;/p&gt;
&lt;p&gt;I got to see Stanley Clarke live sometime around 2000. Incredible show and band.&lt;/p&gt;</content:encoded><category>jazz</category><category>music</category><category>Return to Forever</category><category>Chick Corea</category><category>Stanley Clarke</category><category>Lenny White</category><category>Al Di Meola</category><category>jazz fusion</category></item><item><title>Wes Montgomery, Live in &apos;65</title><link>https://www.colemanm.org/micro/2025/10/31/wes-montgomery-live-in-65/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/10/31/wes-montgomery-live-in-65/</guid><description>Wes Montgomery, Live in &apos;65.</description><pubDate>Fri, 31 Oct 2025 17:01:27 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=3yNmp2TqdgA&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wes Montgomery&lt;/strong&gt;, Live in ‘65.&lt;/p&gt;</content:encoded><category>Wes Montgomery</category><category>jazz</category><category>music</category><category>video</category><category>guitar</category></item><item><title>Ahmad Jamal in France</title><link>https://www.colemanm.org/micro/2025/10/29/ahmad-jamal-in-france/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/10/29/ahmad-jamal-in-france/</guid><description>Ahmad Jamal live in France, 1971.</description><pubDate>Wed, 29 Oct 2025 17:30:13 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=RAena9F9oSE&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ahmad Jamal&lt;/strong&gt; live in France, 1971.&lt;/p&gt;</content:encoded><category>music</category><category>video</category><category>Ahmad Jamal</category><category>jazz</category></item><item><title>The Abstraction of AI</title><link>https://www.colemanm.org/post/the-abstraction-of-ai/</link><guid isPermaLink="true">https://www.colemanm.org/post/the-abstraction-of-ai/</guid><description>OpenAI launched a major update to Sora yesterday. There&apos;s something about AI video that just doesn&apos;t get me excited. Sound on. pic.twitter.com/QHDxq6ubGt&amp;mdash; OpenAI (@OpenAI) September 30, 2025 Sur…</description><pubDate>Wed, 01 Oct 2025 11:08:02 GMT</pubDate><content:encoded>&lt;p&gt;OpenAI launched a major update to Sora yesterday.&lt;/p&gt;
&lt;p&gt;There’s something about AI video that just doesn’t get me excited.&lt;/p&gt;
&lt;blockquote class=&quot;twitter-tweet&quot;&gt;&lt;p lang=&quot;en&quot; dir=&quot;ltr&quot;&gt;Sound on. &lt;a href=&quot;https://t.co/QHDxq6ubGt&quot;&gt;pic.twitter.com/QHDxq6ubGt&lt;/a&gt;&lt;/p&gt;— OpenAI (@OpenAI) &lt;a href=&quot;https://twitter.com/OpenAI/status/1973071069016641829?ref_src=twsrc%5Etfw&quot;&gt;September 30, 2025&lt;/a&gt;&lt;/blockquote&gt; &lt;script async src=&quot;https://platform.twitter.com/widgets.js&quot; charset=&quot;utf-8&quot;&gt;&lt;/script&gt;
&lt;p&gt;Sure, it’s impressive: we’ve created black magic-levels of technology that can summon real-looking images from the ether. We can type a request and generate whatever movie we want.&lt;/p&gt;
&lt;p&gt;But one of the things that makes film exciting is not only its quality or entertainment value, but the &lt;em&gt;knowledge&lt;/em&gt; that a human produced it. There’s an aesthetic to the depth of human involvement in the process that Sora can’t substitute for. The more we close the uncanny valley &lt;em&gt;visually&lt;/em&gt;, the more repulsed we are when we do find out it was “just AI.” We assumed human achievement, but we’ve been lied to.&lt;/p&gt;
&lt;p&gt;I know, I know. We’ve had CGI in film for years. What’s the difference between Sora or Veo and the machine-assisted CGI from &lt;em&gt;Transformers&lt;/em&gt; or something? This actually admits to the problem. People have disliked the overuse of CGI for years. The practical filmmaking of Christopher Nolan or George Miller or Ridley Scott stands out in a field full of CGI slop. CGI was once simply the seasoning on the meal, now it’s become the meal itself.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;There Will Be Blood&lt;/em&gt; is impressive as a human feat of planning and executing on a vision, creating a collection of ideas and making them real – from script writing to performance to location selection to cinematography. The oil derrick explosion scene is impressive not just for what it is to look at, but because &lt;em&gt;wow, humans made that happen&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Or think about music. Bach’s compositions aren’t merely impressive for their technical complexity or because they sound beautiful; what sits with you after hearing the &lt;em&gt;Well-Tempered Clavier&lt;/em&gt; is that a human came up with that out of thin eighteenth-century air. The idea itself that a regular person could create something so original, textured, and interesting is an essential part if its value.&lt;/p&gt;
&lt;p&gt;AI-generated media is stripped of this humanity. If we know a server farm generated those pixels or sound waves, we find ourselves disconnected from the impressiveness of human achievement. We have no way to relate to it. I know that playing a guitar is hard, but typing a prompt to get the computer to do it? I have no idea. Definitely sounds a lot less hard to me.&lt;/p&gt;
&lt;p&gt;The AI bulls will claim the creativity is in the prompting, that talent will emerge able to steer these models toward genius originality. There’s something to this, for sure. All creators and craftsmen leverage the tools at their disposal. Modern woodworkers have power tools to assist in furniture making. Musicians have precision instruments and recording gear that allow them to realize a closer representation of their vision. Every advance inserts a new layer of abstraction between human imagination and a realized idea.&lt;/p&gt;
&lt;p&gt;But as we move up the abstraction ladder of creativity, I’m less impressed by the human aspects of the achievement. Our hand is further removed from the output. Am I impressed by a song composition piped into a computer for a computer to play back? Sure, maybe. But I’m all the more impressed when the composer sits at the piano and plays it with their own hands.&lt;/p&gt;
&lt;p&gt;I can simultaneously believe a CNC-sculpted statue is impressive to look at, while I consider the &lt;em&gt;David&lt;/em&gt; to be both an impressive sight &lt;em&gt;and&lt;/em&gt; impressive employment of human craftsmanship. Both require skills, but one requires &lt;em&gt;more&lt;/em&gt; skills.&lt;/p&gt;
&lt;p&gt;There will always be a market for authenticity. We have an appreciation for the humanity conveyed by a Van Gogh that simply isn’t there and can’t be there in a Midjourney image. No matter how fancy the prompt engineering.&lt;/p&gt;</content:encoded><category>AI</category><category>video</category><category>creativity</category></item><item><title>Can you still be human?</title><link>https://www.colemanm.org/post/can-you-still-be-human/</link><guid isPermaLink="true">https://www.colemanm.org/post/can-you-still-be-human/</guid><description>Iain McGilchrist on the threats to our humanity with the coming AI wave.</description><pubDate>Fri, 19 Sep 2025 15:35:56 GMT</pubDate><content:encoded>&lt;p&gt;Iain McGilchrist:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Who does not now find themselves constantly busy? The young, the middle-aged and the old feel it alike. We are all time-poor; and time is not worth nothing. Time is life. Everything now is freighted with so much bureaucracy; and the bureaucracy is in an unholy alliance with AI. Together they massively, colossally, waste our time.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;As he reminds us in this piece, we’ve got to stay vigilant here. Bureaucracy + AI is a dangerous combination for all our sanity (and likely worse).&lt;/p&gt;
&lt;p&gt;We’ve already seen the enshittification of everything powered by financialization and dehumanization and “optimizations” for efficiencies, or for economies of scale. AI is superfuel for this nonsense.&lt;/p&gt;
&lt;p&gt;I’m bullish on free markets and humans selecting against this world, as long as we have options. Let’s build and maintain those options.&lt;/p&gt;</content:encoded><category>AI</category><category>culture</category><category>Iain McGilchrist</category><category>technology</category></item><item><title>Humongous Fungus</title><link>https://www.colemanm.org/micro/2025/09/12/humongous-fungus/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/09/12/humongous-fungus/</guid><description>In LibertyRPF&apos;s latest newsletter, he makes brief mention of the &quot;Humongous fungus&quot;, an Armillaria ostoyae fungus that covers roughly 2,385 acres of Oregon forest, and weighs an estimated 35,000 tons.…</description><pubDate>Fri, 12 Sep 2025 11:41:28 GMT</pubDate><content:encoded>&lt;p&gt;In LibertyRPF’s &lt;a href=&quot;https://www.libertyrpf.com/p/589-oracles-half-trillion-gambit&quot;&gt;latest newsletter&lt;/a&gt;, he makes brief mention of the “Humongous fungus”, an &lt;em&gt;Armillaria ostoyae&lt;/em&gt; fungus that covers roughly 2,385 acres of Oregon forest, and weighs an estimated 35,000 tons.&lt;/p&gt;
&lt;p&gt;When you read enough about mycology, you find some science fiction-level stuff:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Most of this giant fungus is underground as a network of mycelium and rhizomorphs, black or dark brown structures that are kind of like roots or shoelaces.&lt;/p&gt;
&lt;p&gt;The mushrooms you might see on a hike in the forest are just temporary fruiting bodies, like apples on a tree. The real organism is this vast, interconnected web beneath the forest floor that slowly spreads by feeding on tree roots.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Why are we looking for aliens in space? They’re already here on Earth.&lt;/p&gt;</content:encoded><category>mycology</category><category>science</category></item><item><title>patternlanguage.cc</title><link>https://www.colemanm.org/post/patternlanguage-cc/</link><guid isPermaLink="true">https://www.colemanm.org/post/patternlanguage-cc/</guid><description>A web-published version of A Pattern Laguage&apos;s graph of pattern relationships.</description><pubDate>Tue, 02 Sep 2025 14:41:18 GMT</pubDate><content:encoded>&lt;p&gt;I’ve been diving back into Alexander’s &lt;a href=&quot;https://www.colemanm.org/books/alexander-a-pattern-language/&quot; title=&quot;Christopher Alexander, A Pattern Language&quot;&gt;A Pattern Language&lt;/a&gt; the past few days.&lt;/p&gt;
&lt;p&gt;As I was making notes in Obsidian, it occurred to me that APL, with its interlinked system of patterns, could be an interesting medium for building a relationship graph around. Patterns connected to patterns.&lt;/p&gt;
&lt;img src=&quot;https://www.colemanm.org/images/post-images/apl-graph.jpg&quot; alt=&quot;A graph of patterns&quot;&gt;
&lt;p&gt;Then looking around I ran across essentially this exact thing: a web-published version of an Obsidian graph of patterns.&lt;/p&gt;
&lt;p&gt;Browsing to any pattern shows you the subgraph of adjacent patterns, with backlinks to each one. A neat way to traverse the relationships of Alexander’s system.&lt;/p&gt;</content:encoded><category>Christopher Alexander</category><category>architecture</category><category>design</category></item><item><title>Murray On English</title><link>https://www.colemanm.org/micro/2025/09/02/murray-on-english/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/09/02/murray-on-english/</guid><description>The circle of the English language has a well-defined centre, but no discernible circumference.</description><pubDate>Tue, 02 Sep 2025 14:14:53 GMT</pubDate><content:encoded>&lt;p&gt;The circle of the English language has a well-defined centre, but no discernible circumference.&lt;/p&gt;</content:encoded><category>James Murray</category><category>english</category><category>quotes</category><category>language</category></item><item><title>Scruton Inheritance</title><link>https://www.colemanm.org/micro/2025/08/22/scruton-inheritance/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/08/22/scruton-inheritance/</guid><description>We do not merely study the past: we inherit it, and inheritance brings with it not only the rights of ownership, but the duties of trusteeship. Things fought for &amp; died for should not be idly squander…</description><pubDate>Fri, 22 Aug 2025 08:55:21 GMT</pubDate><content:encoded>&lt;p&gt;We do not merely study the past: we inherit it, and inheritance brings with it not only the rights of ownership, but the duties of trusteeship. Things fought for &amp;#x26; died for should not be idly squandered. For they are the property of others, who are not yet born.&lt;/p&gt;</content:encoded><category>Roger Scruton</category><category>quotes</category><category>tradition</category><category>history</category><category>conservatism</category><category>preservation</category></item><item><title>Gratitude on the 4th of July</title><link>https://www.colemanm.org/post/gratitude-on-the-4th-of-july/</link><guid isPermaLink="true">https://www.colemanm.org/post/gratitude-on-the-4th-of-july/</guid><description>On being grateful for this weird and wonderful experiment.</description><pubDate>Wed, 09 Jul 2025 14:38:42 GMT</pubDate><content:encoded>&lt;p&gt;My &lt;a href=&quot;https://resextensa.substack.com/p/gratitude-on-the-4th-of-july&quot;&gt;latest post&lt;/a&gt; on the importance of remembering what makes the American flavor of independence unique:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Something unique about the American Founders’ flavor of revolution was that it was the first (only?) of the revolutionary movements of the past 300 years that took human nature into account. Many of the revolutions in the time since — the French Revolution, those of the 1840s, the Russian Revolution — had toppling despotic authoritarian regimes in mind.&lt;/p&gt;
&lt;p&gt;In that respect the American Revolution shared a causal relationship in what brought it about.&lt;/p&gt;
&lt;p&gt;Where the American version differed, though, was not in its origins, but its ends. It sought to replace an oppressive monarchy with something rooted in bottom-up individualism. A republican (small r) system of government that accepted human fallibility: one designed around the unchangeable essence of the “crooked timber of humanity.”&lt;/p&gt;
&lt;/blockquote&gt;</content:encoded><category>american history</category><category>independence day</category><category>gratitude</category><category>history</category></item><item><title>Forget estimates, start with appetite</title><link>https://www.colemanm.org/post/forget-estimates-start-with-appetite/</link><guid isPermaLink="true">https://www.colemanm.org/post/forget-estimates-start-with-appetite/</guid><description>On Shape Up&apos;s concept of setting the appetite for a project.</description><pubDate>Fri, 13 Jun 2025 12:01:21 GMT</pubDate><content:encoded>&lt;p&gt;In the latest issue of Building Blocks, I dove into Shape Up and its idea of setting the appetite for a project.&lt;/p&gt;
&lt;p&gt;Fundamentally, appetite inverts the question we begin with when planning a project.&lt;/p&gt;
&lt;p&gt;Instead of starting with “Here’s a spec. How long will it take?”, we start with a time window we’re comfortable spending on the problem and ask “What
can we get done inside this box?”&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Rather than define a richly-detailed design of what we want, appetite requires us to start with a problem definition, and refine that first. If we narrow the problem down, we also narrow the solution space. Solutions are allowed to be smaller and more focused.&lt;/p&gt;
&lt;p&gt;The appetite starts with time boundary and works backward to a design that fits inside.&lt;/p&gt;
&lt;p&gt;Appetites define sound and acceptable constraints up front. And constraints are wonderful tools for generating creativity.&lt;/p&gt;
&lt;/blockquote&gt;</content:encoded><category>product</category><category>product management</category><category>planning</category><category>software development</category></item><item><title>Conversational Interfaces</title><link>https://www.colemanm.org/post/conversational-interfaces/</link><guid isPermaLink="true">https://www.colemanm.org/post/conversational-interfaces/</guid><description>Why conversational interfaces still aren&apos;t the right approach for human-computer interaction.</description><pubDate>Mon, 12 May 2025 16:09:30 GMT</pubDate><content:encoded>&lt;p&gt;Julian Lehr wrote an interesting post recently on the problems with conversational interfaces, with the fitting title “&lt;a href=&quot;https://julian.digital/2025/03/27/the-case-against-conversational-interfaces/&quot; title=&quot;The case against conversational interfaces&quot;&gt;The case against conversational
interfaces&lt;/a&gt;”. Here’s Julian:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We keep telling ourselves that previous voice interfaces like Alexa or Siri didn’t succeed because the underlying AI wasn’t smart enough, but that’s only half of the story. The core problem was never the quality of the output function, but the inconvenience of the input function: A natural language prompt like “Hey Google, what’s the weather in San Francisco today?” just takes 10x longer than simply tapping the weather app on your homescreen.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Voice works so well in human-to-human communication because it’s enormously flexible on both ends — for speaker and listener. Through speech we can both communicate and understand just about any idea using the same framework of 26 letters and a couple thousand words.&lt;/p&gt;
&lt;p&gt;The speaker can walk up to anyone fluent in the language and fairly effectively communicate just about anything — commands, requests, thoughts, ideas, emotions — and have the listener comprehend.&lt;/p&gt;
&lt;p&gt;But conversation is slow. The “bitrate” for conversational speech is peanuts compared to what you can do with hand signals or ideograms or jpegs. A set of hand signals could convey a message much faster, but at the expense of loss of range, and easier misinterpretation. Spoken language trades bandwidth and information density for flexibility, nuance, and error tolerance. All major utilities when talking with a stranger, but not with our computers.&lt;/p&gt;
&lt;p&gt;We keep chasing conversational interfaces in computing because of ease-of-access and the promise of flexibility. But in commanding the computer, the
loss of compression, low bandwidth, and ambiguity are annoyances rather than assets. When we have a conversation with a clerk at the store, these are
features. When it’s with our computers, they feel like bugs.&lt;/p&gt;
&lt;p&gt;Julian goes on to talk about how we might think more creatively with fitting LLMs into this picture:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;We spend too much time thinking about AI as a substitute (for interfaces, workflows, and jobs) and too little time about AI as a complement. Progress rarely follows a simple path of replacement. It unlocks new, previously unimaginable things rather than merely displacing what came before.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;As AI seeps in everywhere, we need to think positive-sum in how it helps the human-computer interaction problem. It holds the potential to generate
background threads of activity as we’re using our slow-but-flexible inputs like speech or typing: retrieving information and summarizing and
performing interstitial actions while we’re in the middle of other tasks.&lt;/p&gt;</content:encoded><category>product</category><category>design</category><category>speech</category><category>AI</category><category>LLMs</category></item><item><title>Craft is the Antidote to Slop</title><link>https://www.colemanm.org/post/craft-is-the-antidote-to-slop/</link><guid isPermaLink="true">https://www.colemanm.org/post/craft-is-the-antidote-to-slop/</guid><description>Will Manidis on craft as path to imbuing work with meaning.</description><pubDate>Wed, 30 Apr 2025 07:09:03 GMT</pubDate><content:encoded>&lt;p&gt;Will Manidis:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The demonic recognizes in our shortcuts the perfect opportunity: tempt humans away from the difficult labor of making, growing, and building with our own hands and minds. Instead, offer an endless stream of effortless consumption—images without artists, music without musicians, stories without storytellers. The devil’s oldest strategy is, of course, promising godlike creation without godlike effort.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Every feed, every product shelf, every book rack, even restaurant and menu, now overflowing with slop. If we’re being honest, the slop movement — mass produced, carbon-copied, no connection to humans — predates AI. But AI turbocharges the ability to churn this stuff out.&lt;/p&gt;</content:encoded><category>Will Manidis</category><category>craft</category><category>meaning</category></item><item><title>Brain-Computer Interfaces</title><link>https://www.colemanm.org/post/brain-computer-interfaces/</link><guid isPermaLink="true">https://www.colemanm.org/post/brain-computer-interfaces/</guid><description>We already have BCIs, in our hands.</description><pubDate>Wed, 23 Apr 2025 15:53:17 GMT</pubDate><content:encoded>&lt;p&gt;When we think about brain-computer interfaces, why do we always jump to the chip-in-the-head? Or the wire dongle with an antenna behind our ear? The
Larry Niven “&lt;a href=&quot;https://en.wikipedia.org/wiki/Wirehead_(science_fiction)&quot;&gt;wirehead&lt;/a&gt;”?&lt;/p&gt;
&lt;p&gt;Maybe it’s just a bandwidth thing.&lt;/p&gt;
&lt;p&gt;Aren’t our phones a low-bandwidth version of a BCI? Certainly phones and social media and other modern tech modify our brains in similar ways.&lt;/p&gt;
&lt;p&gt;Or perhaps it’s both the high-bandwidth abilities enabling so much more &lt;em&gt;combined&lt;/em&gt; with the idea that they’re uncontrollable in some way. A piece of hardware pinging electrical signals inside our heads that we can’t be consciously aware of. We don’t know what they’re doing, and “unplugging” doesn’t give the airgap of leaving your phone at home when going for a walk.&lt;/p&gt;
&lt;p&gt;There’s probably also a visceral feeling it gives us of an inhuman piece of inorganic matter being embedded in our heads. And our heads are our “selves”. The brain barrier is a special one to us, even though it’s technically no different than another organ, in terms of its make-up.&lt;/p&gt;</content:encoded><category>brain-computer interfaces</category><category>technology</category><category>neuroscience</category></item><item><title>Essay Architecture</title><link>https://www.colemanm.org/post/essay-architecture/</link><guid isPermaLink="true">https://www.colemanm.org/post/essay-architecture/</guid><description>A framework for thinking about writing</description><pubDate>Fri, 18 Apr 2025 11:29:39 GMT</pubDate><content:encoded>&lt;p&gt;I just watched this excellent interview with &lt;a href=&quot;https://x.com/MichaelDean_0&quot;&gt;Michael Dean&lt;/a&gt; on the How I Write podcast.&lt;/p&gt;
&lt;div class=&quot;video-container&quot; style=&quot;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; margin: 1.5rem 0;&quot;&gt;
  &lt;iframe src=&quot;https://www.youtube.com/embed/t1elm49zcQg&quot; style=&quot;position: absolute; top: 0; left: 0; width: 100%; height: 100%;&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen&gt;&lt;/iframe&gt;
&lt;/div&gt;
&lt;p&gt;Michael is an architect and writer, and his writing project is fascinating.&lt;/p&gt;
&lt;p&gt;He’s built a framework for thinking about writing that adapts Christopher Alexander’s concept of pattern languages to writing.&lt;/p&gt;
&lt;p&gt;If you’re unfamiliar, Alexander created a way of thinking about design and functionality that gave us a modular, nested framework for how to build
spaces — from whole cities down to features within rooms. A “pattern” is a loose and modifiable guideline for how a component of a system should work.
More defined than a rule-of-thumb, but less rigid than a rule. So patterns can be refined and adjusted to adapt to different settings.&lt;/p&gt;
&lt;figure&gt;
  &lt;img src=&quot;https://www.colemanm.org/images/post-images/essay-architecture.jpg&quot; alt=&quot;A diagram of the pattern language framework for writing&quot;&gt;
  &lt;figcaption&gt;A diagram of the pattern language framework for writing&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Thinking about writing this way is interesting. Language has similarities to other complex systems: letters, words, sentences, phrases, paragraphs, stories, narratives. It’s made of modular components that nest together in a hierarchy, where ideas (“wholes”) emerge from the interactions between parts, even at different levels in the hierarchy.&lt;/p&gt;
&lt;p&gt;Michael’s system gets more abstract than the simple physical form of the words and sentences, into things like voice and tone, cohesion, motifs, stakes, rhythm, and repetition.&lt;/p&gt;
&lt;p&gt;Need to spend some more time with these ideas.&lt;/p&gt;</content:encoded><category>essays</category><category>writing</category><category>video</category><category>interview</category><category>pattern languages</category><category>Christopher Alexander</category><category>Michael Dean</category><category>David Perell</category></item><item><title>Rhetoric Poetry</title><link>https://www.colemanm.org/micro/2025/04/16/rhetoric-poetry/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/04/16/rhetoric-poetry/</guid><description>Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry.</description><pubDate>Wed, 16 Apr 2025 12:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry.&lt;/p&gt;</content:encoded><category>quotes</category><category>poetry</category><category>rhetoric</category><category>William Butler Yeats</category></item><item><title>Exploiting Locality</title><link>https://www.colemanm.org/post/exploiting-locality/</link><guid isPermaLink="true">https://www.colemanm.org/post/exploiting-locality/</guid><description>Messy worksspaces as buffers for fast retrieval.</description><pubDate>Fri, 11 Apr 2025 08:30:00 GMT</pubDate><content:encoded>&lt;p&gt;I recently wrote about the tendency of creators to keep &lt;a href=&quot;https://www.resextensa.co/p/messy-workspace-tidy-workspace-two&quot; title=&quot;Messy workspace, tidy workspace&quot;&gt;messy versus clean workspaces&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;While sometimes the mess is a certifiable inefficient disaster resulting from laziness, the “organized chaoos” messy space acts like a mental buffer.&lt;/p&gt;
&lt;p&gt;Here’s computer scientist Jim Gray on the purpose of buffering in a programming context, from his book &lt;em&gt;&lt;a href=&quot;https://dl.acm.org/doi/10.5555/573304&quot;&gt;Transaction Processing&lt;/a&gt;&lt;/em&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The main idea behind buffering is to exploit locality. Everybody employs it without even thinking about it. A desk should serve as a buffer of the things one needs to perform the current tasks.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Keeping things “in the buffer” redounds to productivity (and ideally, creativity). If something is closer at hand, it lowers the transaction costs of retrieval.&lt;/p&gt;
&lt;p&gt;Memorization works this way, too. People question the benefits of rote memorization in school, but this is a useful metaphor for understanding its value. Memorizing reusable data keeps it “in RAM” for faster retrieval.&lt;/p&gt;
&lt;p&gt;Faster retrieval reduces friction, which means faster feedback loops, faster learning.&lt;/p&gt;</content:encoded><category>memory</category><category>thinking</category><category>creativity</category></item><item><title>The Gradient of User Value</title><link>https://www.colemanm.org/post/the-gradient-of-user-value/</link><guid isPermaLink="true">https://www.colemanm.org/post/the-gradient-of-user-value/</guid><description>Climb the gradient of user value.</description><pubDate>Thu, 10 Apr 2025 15:18:00 GMT</pubDate><content:encoded>&lt;p&gt;Saw this from John Carmack &lt;a href=&quot;https://x.com/ID_AA_Carmack/status/1910351545658466794&quot;&gt;today on X&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Feedback beats planning.&lt;/p&gt;
&lt;p&gt;My plea at Meta was “No grand plans, follow the gradient of user value”.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love this. If you just keep persistently pushing up the gradient toward more value, it’s winning in the long term. Durable and sustainable success
is that which &lt;a href=&quot;https://www.resextensa.co/p/the-power-of-gradual&quot; title=&quot;The Power of Gradual&quot;&gt;happens gradually&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;This reminds of a conversation I was just having earlier today about Fulcrum and our positive net retention. Our product fit was good enough that no
one ever left. That didn’t mean infinite growth or hockey-stick revenue, but it created a durable foundation from which to grow gradually.&lt;/p&gt;
&lt;img src=&quot;https://www.colemanm.org/images/post-images/gradient-of-value.jpg&quot; alt=&quot;Gradient of value&quot;&gt;
&lt;p&gt;With the bottom-up adoption model, the continuous shipping of new features, and modest evolution of pricing and packaging with time, that combo enabled a gradual climb up the gradient.&lt;/p&gt;
&lt;p&gt;You don’t always need that comprehensive 5-year strategy doc or holistic product redesign or earth-shaking press release. You just need that next
nugget of feedback on the adjacent missing links in the value chain that you can iterate toward solving.&lt;/p&gt;
&lt;p&gt;Keep climbing the gradient, and success will follow.&lt;/p&gt;</content:encoded><category>product management</category><category>strategy</category><category>startups</category></item><item><title>Past, Present, and Future</title><link>https://www.colemanm.org/post/past-present-and-future/</link><guid isPermaLink="true">https://www.colemanm.org/post/past-present-and-future/</guid><description>A useful way of thinking about the domains of our three branches of government</description><pubDate>Thu, 10 Apr 2025 11:49:29 GMT</pubDate><content:encoded>&lt;p&gt;Here’s a useful way of thinking about the domains of our three branches of government, from Yuval Levin’s &lt;em&gt;&lt;a href=&quot;https://www.colemanm.org/books/levin-american-covenant/&quot;&gt;American Covenant&lt;/a&gt;&lt;/em&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It is only a slight exaggeration to say that the Congress is expected to frame for the future, the president is expected to act in the present, and the courts are expected to assess the past. These boundaries are not perfectly clean, of course.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;How distinct this delineation of roles is between the branches of government is up for debate, but this is a useful way to think about the Framers’
intention in designing the balanced separation of powers.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Legislators frame laws for the future&lt;/li&gt;
&lt;li&gt;The president acts on them today&lt;/li&gt;
&lt;li&gt;Judges compare what’s happening today and planned for tomorrow against precedents set in the past&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;We tend to run into trouble when any of the branches strays outside its primary domain.&lt;/p&gt;
&lt;p&gt;When the executive is designing Big Plans for the future, or when the judiciary is issuing punishments in the present, or (in what I’d say is our worst problem today) the legislative isn’t doing anything, we get into fraught territory.&lt;/p&gt;
&lt;p&gt;While each of these has its primary focus on a particular time horizon, they aren’t the sole arbiters of decision making with respect to their domain. Our complex array of checks allows each to assert influence over other areas. I just find this a useful compression of the general model of the system.&lt;/p&gt;</content:encoded><category>politics</category><category>government</category><category>history</category><category>Yuval Levin</category><category>books</category></item><item><title>Joe Henrich And Dwarkesh Patel</title><link>https://www.colemanm.org/micro/2025/03/12/joe-henrich-and-dwarkesh-patel/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/12/joe-henrich-and-dwarkesh-patel/</guid><description>Great interview with the author of one of my favorite books from the last several years, Joe Henrich. The WEIRDest People in the World is a fascinating look at the origins of human culture and the evo…</description><pubDate>Wed, 12 Mar 2025 15:59:33 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=TcfhrThp1OU&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Great interview with the author of one of my favorite books from the last several years, Joe Henrich. &lt;em&gt;&lt;a href=&quot;https://www.colemanm.org/books/henrich-the-weirdest-people-in-the-world/&quot; title=&quot;The WEIRDest People in the World&quot;&gt;The WEIRDest People in the
World&lt;/a&gt;&lt;/em&gt; is a fascinating look at the origins of human culture and
the evolution of human psychology.&lt;/p&gt;</content:encoded><category>video</category><category>Joseph Henrich</category><category>Dwarkesh Patel</category><category>interview</category><category>culture</category><category>anthropology</category><category>evolutionary psychology</category></item><item><title>MVPs with Cursor</title><link>https://www.colemanm.org/post/mvps-with-cursor/</link><guid isPermaLink="true">https://www.colemanm.org/post/mvps-with-cursor/</guid><description>Tips for building MVPs with Cursor</description><pubDate>Tue, 11 Mar 2025 09:14:21 GMT</pubDate><content:encoded>&lt;p&gt;Good stuff &lt;a href=&quot;https://x.com/prajwaltomar_/status/1895839765280539068/?rw_tt_thread=True&quot;&gt;here&lt;/a&gt; on building with &lt;a href=&quot;https://www.cursor.com/&quot;&gt;Cursor&lt;/a&gt;. Some takeaways:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Use &lt;a href=&quot;https://www.codeguide.dev/&quot;&gt;starter kits&lt;/a&gt; to bootstrap project directories&lt;/li&gt;
&lt;li&gt;Build assistive docs to help the Agent. Remember that the Agent behaves a lot like a human:
&lt;ul&gt;
&lt;li&gt;A human with minimal guidance doesn’t infer the right choices&lt;/li&gt;
&lt;li&gt;PRDs, app flows, tech stacks / API docs, frontend/backend guidelines all help it do what you want&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;project rules over .cursorrules
&lt;ul&gt;
&lt;li&gt;More flexible&lt;/li&gt;
&lt;li&gt;Sync across teams&lt;/li&gt;
&lt;li&gt;Fine-tune based on tech stack&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I’ve had much better results getting in the weeds with PRDs well before having agents go off and build. And you can have multiple AIs work on and
refine your documents, too.&lt;/p&gt;</content:encoded><category>Cursor</category><category>AI</category><category>product development</category><category>software development</category></item><item><title>Angelz</title><link>https://www.colemanm.org/micro/2025/03/06/angelz/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/06/angelz/</guid><description>MF DOOM / Ghostface Killah - Angelz, 2004.</description><pubDate>Thu, 06 Mar 2025 16:40:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=GtkArIh0O2E&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MF DOOM / Ghostface Killah - Angelz&lt;/strong&gt;, 2004.&lt;/p&gt;</content:encoded><category>video</category><category>music</category><category>MF DOOM</category><category>Ghostface Killah</category></item><item><title>Expected and Unexpected</title><link>https://www.colemanm.org/post/expected-and-unexpected/</link><guid isPermaLink="true">https://www.colemanm.org/post/expected-and-unexpected/</guid><description>Kevin Kelly on the unexpected and expected.</description><pubDate>Thu, 06 Mar 2025 13:48:00 GMT</pubDate><content:encoded>&lt;p&gt;Some technologies are unpredicted, but evolve. Others are predicted don’t seem to materialize (or not yet). Then there are those that are expected AND
appear. The unexpected tend to be the most disruptive — no one’s had the chance to prepare.&lt;/p&gt;
&lt;p&gt;But the expected, if they do finally arrive, have been ruminated on for a long time. When we eventually realize the expected, we’re more prepared
socially for their impacts. Though often we’re wrong about their societal impacts until they show up.&lt;/p&gt;
&lt;p&gt;Kevin Kelly &lt;a href=&quot;https://kk.org/thetechnium/the-unpredicted/&quot;&gt;writes about&lt;/a&gt; this in the context of AI, a technology long-predicted, but always with a bent
toward the negative. Toward the destructive social consequences of creating artificial beings.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Artificial beings – robots, AI – are in the Expected category. They have been so long anticipated that there has been no other technology or invention as widely or thoroughly anticipated before it arrived as AI. What invention might even be second to AI in terms of anticipation? Flying machines may have been longer desired, but there was relatively little thought put into imagining what their consequences might be. Whereas from the start of the machine age, humans have not only expected intelligent machines, but have expected significant social ramifications from them as well. We’ve spent a full century contemplating what robots and AI would do when it arrived. And, sorry to say, most of our predictions are worrisome.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Here’s the example list from Arthur C. Clarke’s 1963 book, &lt;em&gt;Profiles of the Future&lt;/em&gt;:&lt;/p&gt;
&lt;img src=&quot;https://www.colemanm.org/images/post-images/expected-unexpected.jpg&quot; alt=&quot;&quot;&gt;</content:encoded><category>AI</category><category>predictions</category><category>technology</category><category>Kevin Kelly</category><category>Arthur C. Clarke</category></item><item><title>Blue Ghost Moon Landing</title><link>https://www.colemanm.org/micro/2025/03/05/blue-ghost-moon-landing/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/05/blue-ghost-moon-landing/</guid><description>Firefly Aerospace became the first private company to land a spacecraft on the moon when Blue Ghost lunar lander touched down on the moon on March 2nd. What an incredible achievement – and that 4K vid…</description><pubDate>Wed, 05 Mar 2025 13:54:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=NpHhEybJdxg&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Firefly Aerospace became the first private company to land a spacecraft on the moon when &lt;a href=&quot;https://en.wikipedia.org/wiki/Firefly_Aerospace_Blue_Ghost&quot;&gt;Blue
Ghost&lt;/a&gt; lunar lander touched down on the moon on March 2nd.&lt;/p&gt;
&lt;p&gt;What an incredible achievement – and that 4K video from the lunar surface is just mesmerizing.&lt;/p&gt;</content:encoded><category>video</category><category>space</category><category>moon</category><category>Firefly Aerospace</category></item><item><title>Roman Ruins At Schonbrunn</title><link>https://www.colemanm.org/micro/2025/03/04/roman-ruins-at-schonbrunn/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/04/roman-ruins-at-schonbrunn/</guid><description>Roman ruins at Schönbrunn. Carl Moll, 1892.</description><pubDate>Tue, 04 Mar 2025 16:45:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/GeQw7ESXYAATrZ1.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;Roman ruins at Schönbrunn&lt;/strong&gt;&lt;/em&gt;. Carl Moll, 1892.&lt;/p&gt;</content:encoded><category>art</category><category>architecture</category><category>Rome</category><category>19th century</category><category>Carl Moll</category></item><item><title>Volos Harbor At Night</title><link>https://www.colemanm.org/micro/2025/03/04/volos-harbor-at-night/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/04/volos-harbor-at-night/</guid><description>Volos harbor at night. Volanakis Κonstantinos.</description><pubDate>Tue, 04 Mar 2025 12:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/volos-harbor-1.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;https://www.nationalgallery.gr/en/artwork/volos-harbour-at-night/&quot;&gt;Volos harbor at night&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;. Volanakis Κonstantinos.&lt;/p&gt;</content:encoded><category>art</category><category>Volanakis Konstantinos</category><category>Greece</category><category>19th century</category></item><item><title>Topographic Beauty</title><link>https://www.colemanm.org/micro/2025/03/03/topographic-beauty/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/03/topographic-beauty/</guid><description>&quot;Topographic beauties straight from old geography books&quot;, @egeberkina.</description><pubDate>Mon, 03 Mar 2025 15:36:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/topographic-beauty-720.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;“Topographic beauties straight from old geography books”, @&lt;a href=&quot;https://x.com/egeberkina/status/1896301300192878889&quot;&gt;egeberkina&lt;/a&gt;.&lt;/p&gt;</content:encoded><category>topography</category><category>maps</category><category>generative art</category><category>design</category></item><item><title>The Fall Of The Damned</title><link>https://www.colemanm.org/micro/2025/03/03/the-fall-of-the-damned/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/03/03/the-fall-of-the-damned/</guid><description>The Fall of the Damned. Peter Paul Rubens, 1620.</description><pubDate>Mon, 03 Mar 2025 12:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/fall-of-the-damned.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/The_Fall_of_the_Damned&quot;&gt;The Fall of the Damned&lt;/a&gt;&lt;/em&gt;&lt;/strong&gt;. Peter Paul Rubens, 1620.&lt;/p&gt;</content:encoded><category>art</category><category>painting</category><category>Peter Paul Rubens</category><category>religion</category><category>Christianity</category><category>Catholicism</category></item><item><title>Dana Gioia on Writing</title><link>https://www.colemanm.org/post/dana-gioia-on-writing/</link><guid isPermaLink="true">https://www.colemanm.org/post/dana-gioia-on-writing/</guid><description>An extended interview with Dana Gioia on poetry, opera, writing, and his creative process.</description><pubDate>Mon, 03 Mar 2025 10:43:00 GMT</pubDate><content:encoded>&lt;p&gt;This is a phenomenal extended (3 hour!) interview with Dana Gioia on his background, poetry, his writing process, and the habits he’s curated that
make him into a prolific and interesting writer.&lt;/p&gt;
&lt;div class=&quot;video-container&quot; style=&quot;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; margin: 1.5rem 0;&quot;&gt;
  &lt;iframe src=&quot;https://www.youtube.com/embed/XvfLmbHkBV4&quot; title=&quot;YouTube video&quot; style=&quot;position: absolute; top: 0; left: 0; width: 100%; height: 100%;&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen loading=&quot;lazy&quot;&gt;&lt;/iframe&gt;
&lt;/div&gt;</content:encoded><category>video</category><category>Dana Gioia</category><category>writing</category><category>creativity</category><category>poetry</category><category>habits</category></item><item><title>We Did All This Discovery, Now How Do We Decide?</title><link>https://www.colemanm.org/post/how-do-we-decide/</link><guid isPermaLink="true">https://www.colemanm.org/post/how-do-we-decide/</guid><description>Ryan Singer on going from discovery to decision in product development.</description><pubDate>Tue, 25 Feb 2025 10:17:00 GMT</pubDate><content:encoded>&lt;p&gt;When capturing hundreds of problems during product discovery, we generate at least as many potential solutions. We can’t build everything at once, so
how do we decide what to tackle first? Ryan Singer has a suggestion:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The counterintuitive thing is, we often feel like our task is to get to a “yes.” But what we actually need is a way to say “no.” It’s the ability to eliminate many, many things that aligns us on the one thing. It’s the “no, no, no, … YES!” that gives us the power to move forward and to stick with a project.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Finding the “reasons to build” for any given solution is easy — every idea is “good” on some continuum. When faced with a hundred ideas, each with compelling reasons to build it, we’re left with the fuzzy question of “&lt;em&gt;how&lt;/em&gt; good?”&lt;/p&gt;
&lt;p&gt;Ryan’s suggestion inverts the question: look for the reasons to &lt;em&gt;not&lt;/em&gt; build it. Is there a workaround? Is it merely annoying but not a dealbreaker? What are users doing today instead? What are the real consequences of the status quo?&lt;/p&gt;
&lt;p&gt;This inversion approach is more likely to highlight the acute pains — the missing solutions causing real negative consequences, the ones with no good alternatives or workarounds.&lt;/p&gt;
&lt;p&gt;The first key to prioritizing is to triage the obvious “not now”s first. If we can cut our list down significantly, we can focus attention on where we’ll make the biggest impact.&lt;/p&gt;</content:encoded><category>product development</category><category>design</category><category>discovery</category></item><item><title>What Matters in the Age of AI is Taste</title><link>https://www.colemanm.org/post/what-matters-in-the-age-of-ai-is-taste/</link><guid isPermaLink="true">https://www.colemanm.org/post/what-matters-in-the-age-of-ai-is-taste/</guid><description>Sari Azout on the AI era and why taste matters.</description><pubDate>Mon, 24 Feb 2025 12:00:00 GMT</pubDate><content:encoded>&lt;p&gt;In this AI era, I’ve been thinking a lot about what it means for humans in the loop of formerly human tasks. When AI is inserted in all layers of the
stack, what’s left for us?&lt;/p&gt;
&lt;p&gt;Sari Azout hits on something I agree with: that the intangibles are (at least for now) resistant to AI. And these areas tend to be where we humans
find joy in creativity in the first place. Taste, building context, intersecting divergent ideas, a respect for the tactile, the ephemeral, the
unpredictable.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;First, you need to cultivate a deeper relationship with your gut. The more our world becomes measurable and quantifiable, the more we need spaces that preserve what can’t be measured—the hunches we can’t explain, the patterns we feel but can’t prove. A jazz musician knows when to break rules in ways no theory explains. A good copywriter can feel what words will land without having a single data point to prove it. Taste isn’t some mysterious gift bestowed at birth—it’s simply what happens when you pay close attention to what moves you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Our minds are good at finding patterns in the unquantifiable.&lt;/p&gt;</content:encoded><category>ai</category><category>taste</category><category>art</category></item><item><title>Copy First, Create Later</title><link>https://www.colemanm.org/post/copy-first-create-later/</link><guid isPermaLink="true">https://www.colemanm.org/post/copy-first-create-later/</guid><description>Imitation isn&apos;t the enemy of originality — it&apos;s the foundation of it</description><pubDate>Fri, 21 Feb 2025 18:30:00 GMT</pubDate><content:encoded>&lt;p&gt;As I watch my kids learn, it sits with me how much we learn by copying. Imitation isn’t the enemy of originality — it’s the foundation of it. We learn
by copying, refine through practice, and ultimately create something uniquely ours. My &lt;a href=&quot;https://www.resextensa.co/p/copy-first-create-later&quot; title=&quot;Copy First, Create Later&quot;&gt;latest post&lt;/a&gt; on Res Extensa:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In our rush to be original, we often dismiss copying as somehow lesser than “true” learning. But mimicry isn’t just a shortcut — it’s fundamental to how we master skills. We see it in my daughter’s creative reproductions, in my son’s workbench discoveries, and in every artist who’s traced the footsteps of masters before them.&lt;/p&gt;
&lt;p&gt;The path to originality paradoxically begins with imitation. First, we copy to build competence. Then we understand. Finally, we create.&lt;/p&gt;
&lt;/blockquote&gt;</content:encoded><category>learning</category><category>creativity</category><category>imitation</category><category>practice</category></item><item><title>We Live Like Royalty and Don&apos;t Know It</title><link>https://www.colemanm.org/post/we-live-like-royalty/</link><guid isPermaLink="true">https://www.colemanm.org/post/we-live-like-royalty/</guid><description>Charles Mann on the unseen, unappreciated wonders of modern infrastructure.</description><pubDate>Thu, 20 Feb 2025 11:58:00 GMT</pubDate><content:encoded>&lt;p&gt;Charles Mann on the unseen, unappreciated wonders of modern infrastructure:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The great European cathedrals were built over generations by thousands of people and sustained entire communities. Similarly, the electric grid, the public-water supply, the food-distribution network, and the public-health system took the collective labor of thousands of people over many decades. They are the cathedrals of our secular era. They are high among the great accomplishments of our civilization. But they don’t inspire bestselling novels or blockbuster films. No poets celebrate the sewage treatment plants that prevent them from dying of dysentery. Like almost everyone else, they rarely note the existence of the systems around them, let alone understand how they work.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The invisible, yet essential, layer of infrastructure he’s describing becomes extremely visible during something like an extended power outage during
a hurricane. Even with our communications still up, generators in our yards, and food in our refrigerators, even a few days without power are like an
eternity.&lt;/p&gt;</content:encoded><category>infrastructure</category><category>history</category><category>technology</category><category>progress</category></item><item><title>New Space</title><link>https://www.colemanm.org/post/new-space/</link><guid isPermaLink="true">https://www.colemanm.org/post/new-space/</guid><description>A documentary film about the new space race</description><pubDate>Tue, 18 Feb 2025 11:00:00 GMT</pubDate><content:encoded>&lt;p&gt;Jason Carman’s &lt;em&gt;S3&lt;/em&gt; project has been relaunched (no pun intended) as &lt;a href=&quot;https://www.story.inc/&quot; title=&quot;The Story Company&quot;&gt;The Story Company&lt;/a&gt;, continuing his incredible work on documenting the hard tech scene.&lt;/p&gt;
&lt;p&gt;At the start of the year they published their first feature documentary, &lt;em&gt;New Space&lt;/em&gt;. A story about the current state of the space industry, and what’s different this time in the marriage between government-backed and private spaceflight.&lt;/p&gt;
&lt;div class=&quot;video-container&quot; style=&quot;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; margin: 1.5rem 0;&quot;&gt;
  &lt;iframe src=&quot;https://www.youtube.com/embed/eOlpKN7ZOTo&quot; title=&quot;YouTube video&quot; style=&quot;position: absolute; top: 0; left: 0; width: 100%; height: 100%;&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen loading=&quot;lazy&quot;&gt;&lt;/iframe&gt;
&lt;/div&gt;</content:encoded><category>video</category><category>space</category><category>film</category><category>documentary</category></item><item><title>A Funny Thing About Curiosity</title><link>https://www.colemanm.org/post/a-funny-thing-about-curiosity/</link><guid isPermaLink="true">https://www.colemanm.org/post/a-funny-thing-about-curiosity/</guid><description>Henrik Karlsson&apos;s thoughts on being curious</description><pubDate>Mon, 17 Feb 2025 14:41:00 GMT</pubDate><content:encoded>&lt;p&gt;A great little paean to curiosity from Henrik Karlsson:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;There is something frustratingly Tao about curiosity. (1) It is by following your curiosity that you can bring something new and beautiful into the world as a gift to others. But (2) to go there you have to do things that you fear others will think are stupid or embarrassing. That is, you can only find the Tao by not looking for the Tao. By losing yourself in your line.&lt;/p&gt;
&lt;/blockquote&gt;</content:encoded><category>curiosity</category><category>creativity</category></item><item><title>Materials and Mastery</title><link>https://www.colemanm.org/post/materials-and-mastery/</link><guid isPermaLink="true">https://www.colemanm.org/post/materials-and-mastery/</guid><description>How masters build expertise through deep understanding of their medium</description><pubDate>Mon, 17 Feb 2025 09:02:30 GMT</pubDate><content:encoded>&lt;p&gt;In the latest &lt;a href=&quot;https://www.resextensa.co/p/materials-and-mastery&quot;&gt;Res Extensa&lt;/a&gt;, I explored how craftsmen build expertise through deep understanding of their medium. It starts with the nature and properties of their raw materials, then moves to the individual parts, assemblies of parts, and their relationships to one another.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All sorts of woodworking, done well, benefit from skillful selection of material. The furniture builder making an arch at the top of a dresser will help themselves if they find a board with grain that flows in the direction that agrees with their design. You want your material to move with you, not fight against you.&lt;/p&gt;
&lt;p&gt;This process perfectly illustrates a fundamental truth: mastery requires rich understanding of your craft’s raw materials. The path to expertise runs through the mastery of your medium.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;img src=&quot;https://www.colemanm.org/images/post-images/walnut-table.jpg&quot; alt=&quot;Burled walnut table&quot;&gt;</content:encoded><category>materials</category><category>creativity</category><category>writing</category><category>art</category><category>design</category><category>craftmanship</category></item><item><title>Bell Labs Holmdel</title><link>https://www.colemanm.org/micro/2025/02/14/bell-labs-holmdel/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/02/14/bell-labs-holmdel/</guid><description>Bell Labs Holmdel. From Severance season 2, episode 5.</description><pubDate>Fri, 14 Feb 2025 12:58:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/9f3cc881.png&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Bell_Labs_Holmdel_Complex&quot;&gt;Bell Labs Holmdel&lt;/a&gt;&lt;/strong&gt;. From &lt;em&gt;Severance&lt;/em&gt; season 2, episode 5.&lt;/p&gt;</content:encoded><category>television</category><category>severance</category><category>bell labs</category></item><item><title>Muse Prompts For Journaling</title><link>https://www.colemanm.org/micro/2025/01/29/muse-prompts-for-journaling/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/01/29/muse-prompts-for-journaling/</guid><description>Sometimes in a journaling session it’s hard to get yourself writing. You need a kickstart, an idea to latch onto and get your brain moving. I know I do when it’s 5:30am and I sit down to write. So I b…</description><pubDate>Wed, 29 Jan 2025 14:36:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://muse.colemanm.xyz/&quot;&gt;Muse – Prompts for journaling&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Sometimes in a journaling session it’s hard to get yourself writing. You need a kickstart, an idea to latch onto and get your brain moving. I know I do when it’s 5:30am and I sit down to write.&lt;/p&gt;
&lt;p&gt;So I built a simple tool for displaying journaling prompts called &lt;strong&gt;&lt;a href=&quot;https://muse.colemanm.xyz/&quot;&gt;Muse&lt;/a&gt;&lt;/strong&gt;. It’s open source &lt;a href=&quot;https://github.com/colemanm/muse&quot;&gt;on GitHub&lt;/a&gt;. You can run it yourself and edit a single file to add or modify the prompts it uses.&lt;/p&gt;
&lt;p&gt;This is the first entry in my mission to ship at least one small tool or product each month this year.&lt;/p&gt;</content:encoded><category>writing</category><category>tools</category><category>journaling</category></item><item><title>Muse, a tool for journaling prompts</title><link>https://www.colemanm.org/post/muse-for-journaling-prompts/</link><guid isPermaLink="true">https://www.colemanm.org/post/muse-for-journaling-prompts/</guid><description>A simple tool for generating journaling prompts.</description><pubDate>Wed, 29 Jan 2025 09:59:22 GMT</pubDate><content:encoded>&lt;p&gt;So far this year I’ve gone headlong into what’s possible with AI development, specifically using Cursor. I’ve been using it to write code, write blogs, and even write this post.&lt;/p&gt;
&lt;p&gt;The potential for “personal software” is profound here. There’ve been a few times already where I wanted a simple script for automating something, and it wasn’t even worth bothering to look around for pre-existing ones. I just had Cursor help me make my own. So I’ve decided to ship something once a month: a full project hosted and usable around a single idea.&lt;/p&gt;
&lt;p&gt;When it comes to journaling and Morning Pages, I occasionally reference a list of journaling prompts I keep to help me get going. So in that spirit I built this tool, &lt;strong&gt;Muse&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Using a bulleted list of prompts in a markdown file, Muse will randomly display a prompt with each roll of the dice. I decided to build it with React and Expo to potentially make it available on mobile.&lt;/p&gt;
&lt;p&gt;I’m not sure how much I’ll use it, but it’s a fun little project.&lt;/p&gt;
&lt;p&gt;The source is on GitHub &lt;a href=&quot;https://github.com/colemanm/muse&quot;&gt;here&lt;/a&gt;. You can modify the &lt;code&gt;prompts.md&lt;/code&gt; file to edit or add any of your own prompts, too.&lt;/p&gt;</content:encoded><category>journaling</category><category>writing</category><category>tools</category><category>open source</category></item><item><title>Oblique Strategies</title><link>https://www.colemanm.org/post/oblique-strategies/</link><guid isPermaLink="true">https://www.colemanm.org/post/oblique-strategies/</guid><description>A collection of 100 oblique strategies for creative problem solving.</description><pubDate>Tue, 21 Jan 2025 12:14:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Oblique_Strategies&quot; title=&quot;Oblique Strategies&quot;&gt;Oblique Strategies&lt;/a&gt; was originally a set of cards created by Brian Eno and
Peter Schmidt back in 1975. Each card contains effectively a single prompt intended to help get you unstuck creatively. Prompts like:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Use an old idea.&lt;/li&gt;
&lt;li&gt;State the problem in words as clearly as possible.&lt;/li&gt;
&lt;li&gt;Only one element of each kind.&lt;/li&gt;
&lt;li&gt;What would your closest friend do?&lt;/li&gt;
&lt;li&gt;What to increase? What to reduce?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This site is an online version, each refresh showing a new random card. Interesting.&lt;/p&gt;</content:encoded><category>brainstorming</category><category>ideas</category><category>creativity</category></item><item><title>Personal Software</title><link>https://www.colemanm.org/post/personal-software/</link><guid isPermaLink="true">https://www.colemanm.org/post/personal-software/</guid><description>AI development is opening up a new space: personal tools for small problems.</description><pubDate>Fri, 17 Jan 2025 08:50:00 GMT</pubDate><content:encoded>&lt;p&gt;A common problem I encounter with computers is the everyday minor friction in workflow: the repetitive but only occasional task, or the tedious multi-step process.&lt;/p&gt;
&lt;p&gt;Perfect example: the other day I wanted to batch resize and compress a bunch of images. It’s something I’ve had to do before, but not an everyday problem.&lt;/p&gt;
&lt;p&gt;When you have a problem software can solve, it has to be painful enough to warrant the effort and overhead required to build something. Given my level
of knowledge, I could thrash my way through writing a shell script to do this resizing operation (probably). But it’d take me a couple hours of
Googling and trying and retrying to eventually get something that works — all for an operation that might take 7 minutes to just do manually. So
rather than automate, I just deal with it.&lt;/p&gt;
&lt;img src=&quot;https://www.colemanm.org/images/post-images/personal-software.jpg&quot; alt=&quot;Personal software&quot;&gt;
&lt;p&gt;This means dozens of daily nags go on nagging —they don’t nag enough to warrant the cost of solving. And they aren’t painful enough to search for and
buy software to fix. So I go on muddling through with hacks, workarounds, and unanswered wishes.&lt;/p&gt;
&lt;p&gt;But yesterday with a few prompts &lt;a href=&quot;https://www.cursor.com/&quot; title=&quot;Cursor&quot;&gt;Cursor&lt;/a&gt;, in 15 minutes I made (or the AI made) a shell script to handle images that I can reuse next time. I didn’t even look at the code it wrote. Just typed 3 bullets of a description of what I wanted in a readme file, and out comes the code. An annoying process goes away, never having to search around for existing tools. Even if a solution did exist, it’d probably be part of a bundle of other features I don’t need; I’d pay for the Cadillac when I only need a taxi.&lt;/p&gt;
&lt;p&gt;We’re moving into a new phase where personal software like this might often be the simplest path to a solution. In a world where we’re used to going to Google or GitHub, it’s now even faster to make your own. It’s cracked open new possibilities for people formerly incapable of creating their own tools.&lt;/p&gt;
&lt;p&gt;Software used to be costly enough that those “hey this might be cool” ideas were quickly set aside when the cost/benefit wasn’t there. There’s
potential for this new paradigm of digital goods production to radically alter the landscape of what gets built.&lt;/p&gt;</content:encoded><category>software</category><category>AI</category><category>programming</category></item><item><title>New York And Erie Railroad</title><link>https://www.colemanm.org/micro/2025/01/16/new-york-and-erie-railroad/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2025/01/16/new-york-and-erie-railroad/</guid><description>New York and Erie Railroad diagram, 1855.</description><pubDate>Thu, 16 Jan 2025 15:19:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/f3210db5.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;New York and Erie Railroad&lt;/strong&gt; diagram, 1855.&lt;/p&gt;</content:encoded><category>railroad</category><category>transit</category><category>maps</category><category>organizations</category></item><item><title>The Simplest Thing That Could Possibly Work</title><link>https://www.colemanm.org/post/the-simplest-thing-that-could-possibly-work/</link><guid isPermaLink="true">https://www.colemanm.org/post/the-simplest-thing-that-could-possibly-work/</guid><description>Start simple &gt; get it working &gt; iterate &gt; advance</description><pubDate>Tue, 14 Jan 2025 10:02:00 GMT</pubDate><content:encoded>&lt;p&gt;This latest issue of Res Extensa riffs on an idea from wiki-inventor &lt;a href=&quot;https://en.wikipedia.org/wiki/Ward_Cunningham&quot; title=&quot;Ward Cunningham on Wikipedia&quot;&gt;Ward Cunningham&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Given what we’re trying to do now, what is the simplest thing that could possibly work?” In other words, let’s focus on the goal. The goal right now is to make this routine do this thing. Let’s not worry about what somebody reading the code tomorrow is going to think. &lt;strong&gt;Let’s not worry about whether it’s efficient. Let’s not even worry about whether it will work. Let’s just write the simplest thing that could possibly work.&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I love this. I’m a huge proponent of getting started on something as an antidote to stuckness. Writer’s block, uncertainty, fogginess. There’s no
panacea that’ll give you all the answers, but the best tool for clarity is action. Getting started is the fastest path to finding what’s next.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When Cunningham says “the mere act of writing it organized our thoughts,” he’s speaking to this idea that it’s rarely possible to know the specifics of the goal (or the means to get there) until you get started. Starting on the thing kickstarts the discovery engine.&lt;/p&gt;
&lt;p&gt;Nearly every time I’m doing anything creative — building a software feature, writing an article, building something in my shop — the final state ends up somewhere other than what I predicted at the start. During the process of making, I learned things, or I came to realize things I didn’t know I needed or wanted.&lt;/p&gt;
&lt;p&gt;When you’re just getting started, you don’t know what the possibilities are yet. To know what to build, &lt;a href=&quot;https://www.resextensa.co/p/to-know-what-to-build-start-building&quot; title=&quot;Start building to know what to build&quot;&gt;you’ve got to start
building&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;</content:encoded><category>simplicity</category><category>complexity</category><category>design</category></item><item><title>Things Hidden</title><link>https://www.colemanm.org/post/things-hidden/</link><guid isPermaLink="true">https://www.colemanm.org/post/things-hidden/</guid><description>Things Hidden, a documentary on the life and ideas of Rene Girard.</description><pubDate>Tue, 31 Dec 2024 23:00:00 GMT</pubDate><content:encoded>&lt;p&gt;I found and watched this this morning. Phenomenal documentary on the life and ideas of Rene Girard.&lt;/p&gt;
&lt;div class=&quot;video-container&quot; style=&quot;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; margin: 1.5rem 0;&quot;&gt;
  &lt;iframe src=&quot;https://www.youtube.com/embed/L-vB1HaBsog&quot; title=&quot;YouTube video&quot; style=&quot;position: absolute; top: 0; left: 0; width: 100%; height: 100%;&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen loading=&quot;lazy&quot;&gt;&lt;/iframe&gt;
&lt;/div&gt;
&lt;p&gt;A lot of direct interviews with Girard himself, as well as many of his colleagues, collaborators, and those influenced by his ideas.&lt;/p&gt;</content:encoded><category>video</category><category>documentary</category><category>Rene Girard</category><category>religion</category><category>philosophy</category><category>mimetic theory</category></item><item><title>Technovelgy</title><link>https://www.colemanm.org/post/technovelgy/</link><guid isPermaLink="true">https://www.colemanm.org/post/technovelgy/</guid><description>A blog about the future of technology and science.</description><pubDate>Mon, 16 Dec 2024 17:52:00 GMT</pubDate><content:encoded>&lt;p&gt;An archive of concepts drawn from works of science fiction. Over 3800 entries.&lt;/p&gt;
&lt;p&gt;Reminiscent of &lt;a href=&quot;https://tvtropes.org/&quot; title=&quot;TV Tropes&quot;&gt;TV Tropes&lt;/a&gt;’s listing of fiction ideas and story structures.&lt;/p&gt;</content:encoded><category>technology</category><category>science fiction</category><category>fiction</category></item><item><title>Herbie Hancock Headhunters</title><link>https://www.colemanm.org/micro/2024/12/10/herbie-hancock-headhunters/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/12/10/herbie-hancock-headhunters/</guid><description>The Headhunters perform “Sly”, 1974.</description><pubDate>Tue, 10 Dec 2024 15:01:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=FMaKo17BDFo&quot;&gt;Watch video (youtube)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The Headhunters perform “Sly”, 1974.&lt;/p&gt;</content:encoded><category>music</category><category>video</category><category>herbie hancock</category><category>jazz</category><category>Youtube</category></item><item><title>Sade</title><link>https://www.colemanm.org/micro/2024/12/05/sade/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/12/05/sade/</guid><description>Two phenomenal records to start a recording career.</description><pubDate>Thu, 05 Dec 2024 11:03:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/a34c7e1b.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/9ff055bb.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;Two phenomenal records to start a recording career.&lt;/p&gt;</content:encoded><category>sade</category><category>music</category><category>1980s</category></item><item><title>Western Electric Plant</title><link>https://www.colemanm.org/micro/2024/11/25/western-electric-plant/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/25/western-electric-plant/</guid><description>Western Electric Plant. Cicero, IL. Western Electric was the captive equipment arm of the Bell System and produced the majority of the telephones and related equipment used in the U.S. for almost 100…</description><pubDate>Mon, 25 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/0953bb44.png&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Western Electric Plant.&lt;/strong&gt; Cicero, IL.&lt;/p&gt;
&lt;p&gt;Western Electric was the captive equipment arm of the Bell System and produced the majority of the telephones and related equipment used in the U.S. for almost 100 years.&lt;/p&gt;</content:encoded><category>tech history</category><category>bell labs</category><category>history</category><category>technology</category><category>architecture</category><category>chicago</category></item><item><title>Nantucket Sleigh Ride</title><link>https://www.colemanm.org/micro/2024/11/25/nantucket-sleigh-ride/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/25/nantucket-sleigh-ride/</guid><description>Nantucket Sleigh Ride. John Stobart.</description><pubDate>Mon, 25 Nov 2024 08:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/1e1bd804.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Nantucket Sleigh Ride&lt;/em&gt;&lt;/strong&gt;. John Stobart.&lt;/p&gt;</content:encoded><category>art</category><category>painting</category></item><item><title>A Chapel In The High Mountains</title><link>https://www.colemanm.org/micro/2024/11/24/a-chapel-in-the-high-mountains/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/24/a-chapel-in-the-high-mountains/</guid><description>A Chapel in the High Mountains. Hugo Hodiener.</description><pubDate>Sun, 24 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/829248bb.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;A Chapel in the High Mountains&lt;/em&gt;&lt;/strong&gt;. Hugo Hodiener.&lt;/p&gt;</content:encoded><category>art</category><category>austria</category></item><item><title>The Flood</title><link>https://www.colemanm.org/micro/2024/11/24/the-flood/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/24/the-flood/</guid><description>The Flood. Paul Merwart, 1889.</description><pubDate>Sun, 24 Nov 2024 15:05:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/1aa42ece.png&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;The Flood&lt;/em&gt;&lt;/strong&gt;. Paul Merwart, 1889.&lt;/p&gt;</content:encoded><category>art</category></item><item><title>They Died To Make The Desert Bloom</title><link>https://www.colemanm.org/micro/2024/11/24/they-died-to-make-the-desert-bloom/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/24/they-died-to-make-the-desert-bloom/</guid><description>“They died to make the desert bloom” Hoover Dam bas relief.</description><pubDate>Sun, 24 Nov 2024 08:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/9ff4d0b6.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;“They died to make the desert bloom”&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Hoover Dam bas relief.&lt;/p&gt;</content:encoded><category>art deco</category><category>sculpture</category><category>monument</category><category>hoover dam</category><category>architecture</category></item><item><title>Bell Labs Holmdel Complex</title><link>https://www.colemanm.org/micro/2024/11/23/bell-labs-holmdel-complex/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/23/bell-labs-holmdel-complex/</guid><description>Bell Labs Holmdel Complex. New Jersey.</description><pubDate>Sat, 23 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/88e687ff.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/1d2497a6.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/f026c613.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Bell Labs Holmdel Complex.&lt;/strong&gt; New Jersey.&lt;/p&gt;</content:encoded><category>architecture</category><category>new jersey</category><category>bell labs</category></item><item><title>Winged Figures Of The Republic</title><link>https://www.colemanm.org/micro/2024/11/23/winged-figures-of-the-republic/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/23/winged-figures-of-the-republic/</guid><description>Winged Figures of the Republic. By Oskar Hansen at Hoover Dam, 1937.</description><pubDate>Sat, 23 Nov 2024 13:56:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/641d0794.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/6afacefc.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;Winged Figures of the Republic&lt;/strong&gt;&lt;/em&gt;. By Oskar Hansen at Hoover Dam, 1937.&lt;/p&gt;</content:encoded><category>architecture</category><category>art</category><category>art deco</category></item><item><title>Places to Intervene in Systems</title><link>https://www.colemanm.org/post/places-to-intervene-in-systems/</link><guid isPermaLink="true">https://www.colemanm.org/post/places-to-intervene-in-systems/</guid><description>Donella Meadows on places to intervene in systems.</description><pubDate>Fri, 22 Nov 2024 16:45:00 GMT</pubDate><content:encoded>&lt;p&gt;Gordon Brander explores Meadows’s list of intervention points in systems, from her excellent book &lt;em&gt;&lt;a href=&quot;https://www.colemanm.org/books/meadows-thinking-in-systems&quot; title=&quot;Thinking in Systems by Donella Meadows&quot;&gt;Thinking in Systems&lt;/a&gt;&lt;/em&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;All systems are fictions that we project onto our environment for our own instrumental purposes. Those purposes are determined by our mindset, by the way we see the world around us.&lt;/p&gt;
&lt;p&gt;If the pursuit of our instrumental goals results in catastrophe, perhaps it is possible to change our mindset, the mindset or paradigm out of which the system — its goals, structure, rules, delays, parameters — arises?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Her list is a useful set of reminders for how we can modify complex systems to tilt them toward desired goals.&lt;/p&gt;</content:encoded><category>systems</category><category>design</category></item><item><title>Dana Gioia on Beauty</title><link>https://www.colemanm.org/post/dana-gioia-on-beauty/</link><guid isPermaLink="true">https://www.colemanm.org/post/dana-gioia-on-beauty/</guid><description>Poet Dana Gioia on the importance of beauty in our lives.</description><pubDate>Thu, 21 Nov 2024 00:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;video-container&quot; style=&quot;position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; margin: 1.5rem 0;&quot;&gt;
  &lt;iframe src=&quot;https://www.youtube.com/embed/QAlMjfMfbB4&quot; title=&quot;YouTube video&quot; style=&quot;position: absolute; top: 0; left: 0; width: 100%; height: 100%;&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen loading=&quot;lazy&quot;&gt;&lt;/iframe&gt;
&lt;/div&gt;
&lt;blockquote&gt;
&lt;p&gt;“Truth is beauty, and beauty, truth” —John Keats&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I’ve been on a kick lately trying to understand what informs the concept of “taste.” When we say someone “has good taste,” what do we mean?&lt;/p&gt;
&lt;p&gt;I’ll have more to say on taste later. But this thread of curiosity led me to reading on aesthetics and what constitutes beauty. Sir Roger Scruton’s
&lt;em&gt;&lt;a href=&quot;https://www.colemanm.org/books/scruton-beauty/&quot; title=&quot;Beauty by Roger Scruton&quot;&gt;Beauty&lt;/a&gt;&lt;/em&gt; is a great introduction to the subject, one I just finished earler this week.&lt;/p&gt;
&lt;p&gt;In this short lecture, poet laureate Dana Gioia investigates the subject.&lt;/p&gt;
&lt;p&gt;Is “beauty” a physical characteristic? Does it just mean something that “looks nice”? Something deeper is going on here that’s worth exploring.&lt;/p&gt;
&lt;p&gt;Experiencing beauty happens in 4 stages:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The arresting of attention&lt;/li&gt;
&lt;li&gt;The thrill of pleasure&lt;/li&gt;
&lt;li&gt;A heightened perception of the shape or meaning of things&lt;/li&gt;
&lt;li&gt;The moment vanishes&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Initially we’re attracted to an unstateable something about the beautiful. The work of art, the pleasant mountain valley, the few lines from CS Lewis
that get stuck in our brains. Then comes the pleasurable sensation; we want to stay in that place and absorb it. We notice something about the
beautiful thing that seems to connect to a richer underlying reality — as when a mathematical fractal resembles the braided river or the veins in our
bodies. Then before we can capture it the moment disappears, leaving us wanting to find it once again.&lt;/p&gt;
&lt;p&gt;He also discusses the tension between beauty and practicality, suggesting that beauty has the power to transform and inspire, fulfilling a deep human longing.&lt;/p&gt;</content:encoded><category>poetry</category><category>beauty</category><category>philosophy</category><category>aesthetics</category><category>Dana Gioia</category></item><item><title>Where You Work Shapes How You Work</title><link>https://www.colemanm.org/micro/2024/11/20/where-you-work-shapes-how-you-work/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/20/where-you-work-shapes-how-you-work/</guid><description>Our levels of productivity, creativity, and inspiration have an intimate, hard-to-articulate connection to our environments. And we all have different predilections — quiet vs. noisy, calm vs. bustlin…</description><pubDate>Wed, 20 Nov 2024 07:18:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.resextensa.co/p/where-you-work-shapes-how-you-work&quot;&gt;Where You Work Shapes How You Work&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Our levels of productivity, creativity, and inspiration have an intimate, hard-to-articulate connection to our environments. And we all have different predilections — quiet vs. noisy, calm vs. bustling, light vs. dark. Each quality creates a climate that pulls something different out of us.&lt;/p&gt;
&lt;p&gt;Our surroundings shape how we work, yet we also have the power to &lt;a href=&quot;https://www.resextensa.co/p/shaping-our-environments&quot;&gt;choose and to mold them ourselves&lt;/a&gt;.&lt;/p&gt;</content:encoded><category>newsletter</category><category>productivity</category><category>work</category><category>creativity</category></item><item><title>Fantasy Landscape With Buildings By A Lagoon</title><link>https://www.colemanm.org/micro/2024/11/19/fantasy-landscape-with-buildings-by-a-lagoon/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/19/fantasy-landscape-with-buildings-by-a-lagoon/</guid><description>Fantasy Landscape with Buildings by a Lagoon. Francesco Guardí, 1790.</description><pubDate>Tue, 19 Nov 2024 16:37:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/ef33851d.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Fantasy Landscape with Buildings by a Lagoon&lt;/em&gt;&lt;/strong&gt;. Francesco Guardí, 1790.&lt;/p&gt;</content:encoded><category>art</category></item><item><title>Bell Telephone System</title><link>https://www.colemanm.org/micro/2024/11/18/bell-telephone-system/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/18/bell-telephone-system/</guid><description>Map of the Bell Telephone System , 1909.</description><pubDate>Mon, 18 Nov 2024 11:11:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/14318de3.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;Map of the &lt;strong&gt;Bell Telephone System&lt;/strong&gt; , 1909.&lt;/p&gt;</content:encoded><category>maps</category><category>technology</category><category>history</category></item><item><title>Bird Absolutely Locked In</title><link>https://www.colemanm.org/micro/2024/11/08/bird-absolutely-locked-in/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/08/bird-absolutely-locked-in/</guid><description>Bird absolutely locked in. Charlie Parker and Tommy Potter, 1947.</description><pubDate>Fri, 08 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/d1126aa2.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Bird absolutely locked in.&lt;/em&gt;&lt;/strong&gt; Charlie Parker and Tommy Potter, 1947.&lt;/p&gt;</content:encoded><category>charlie parker</category><category>jazz</category><category>history</category><category>music</category></item><item><title>The Count And The Duke</title><link>https://www.colemanm.org/micro/2024/11/08/the-count-and-the-duke/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/08/the-count-and-the-duke/</guid><description>The Count and the Duke. Count Basie and Duke Ellington.</description><pubDate>Fri, 08 Nov 2024 14:16:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/d588ae67.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;The Count and the Duke&lt;/em&gt;&lt;/strong&gt;. Count Basie and Duke Ellington.&lt;/p&gt;</content:encoded><category>Count Basie</category><category>Duke Ellington</category><category>jazz</category><category>music</category><category>history</category></item><item><title>The Dome Of Sta Maria Della Salute</title><link>https://www.colemanm.org/micro/2024/11/06/the-dome-of-sta-maria-della-salute/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/06/the-dome-of-sta-maria-della-salute/</guid><description>The dome of Sta Maria Della Salute. Venice.</description><pubDate>Wed, 06 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/19b0102d.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;The dome of &lt;em&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Santa_Maria_della_Salute&quot;&gt;Sta Maria Della Salute&lt;/a&gt;&lt;/em&gt;.&lt;/strong&gt; Venice.&lt;/p&gt;</content:encoded><category>venice</category><category>italy</category><category>architecture</category></item><item><title>Bernini In Marble</title><link>https://www.colemanm.org/micro/2024/11/06/bernini-in-marble/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/06/bernini-in-marble/</guid><description>Bernini in marble. Blessed Ludovica Albertoni Fontana dei Quattro Fiumi The Rape of Proserpina</description><pubDate>Wed, 06 Nov 2024 11:48:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/574ca5e3.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/e0055c88.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/54a05832.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Bernini in marble.&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Blessed_Ludovica_Albertoni&quot;&gt;Blessed Ludovica Albertoni&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Fontana_dei_Quattro_Fiumi&quot;&gt;Fontana dei Quattro Fiumi&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href=&quot;https://en.wikipedia.org/w/index.php?title=The_Rape_of_Proserpina&quot;&gt;The Rape of Proserpina&lt;/a&gt;&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;</content:encoded><category>gian lorenzo bernini</category><category>sculpture</category><category>art</category></item><item><title>Canyon De Chelly</title><link>https://www.colemanm.org/micro/2024/11/05/canyon-de-chelly/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/05/canyon-de-chelly/</guid><description>Canyon de Chelly. Edgar Alwin Payne, c. 1916.</description><pubDate>Tue, 05 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/cbc966c0.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Canyon de Chelly&lt;/em&gt;&lt;/strong&gt;. Edgar Alwin Payne, c. 1916.&lt;/p&gt;</content:encoded><category>art</category><category>western</category><category>america</category></item><item><title>Cotopaxi</title><link>https://www.colemanm.org/micro/2024/11/05/cotopaxi/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/05/cotopaxi/</guid><description>Cotopaxi. Frederic Edwin Church, 1862.</description><pubDate>Tue, 05 Nov 2024 08:00:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/73d57482.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Cotopaxi&lt;/em&gt;&lt;/strong&gt;. Frederic Edwin Church, 1862.&lt;/p&gt;</content:encoded><category>art</category><category>frederic edwin church</category><category>ecuador</category></item><item><title>Natures Barbell Strategy</title><link>https://www.colemanm.org/micro/2024/11/04/natures-barbell-strategy/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/04/natures-barbell-strategy/</guid><description>Evolution has generated two opposed modes for organisms to find fitness: r-selection is about speed: rapid reproduction, fast growth, many offspring K-selection is about carrying capacity: slow develo…</description><pubDate>Mon, 04 Nov 2024 16:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.resextensa.co/p/natures-barbell-strategy&quot;&gt;Nature&apos;s Barbell Strategy&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Evolution has generated two opposed modes for organisms to find fitness:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;r-selection&lt;/em&gt; is about speed: rapid reproduction, fast growth, many offspring&lt;/p&gt;
&lt;p&gt;&lt;em&gt;K-selection&lt;/em&gt; is about carrying capacity: slow development, robust fitness, few offspring&lt;/p&gt;
&lt;p&gt;What can we learn to harness both approaches in work and life?&lt;/p&gt;</content:encoded><category>newsletter</category><category>ecology</category><category>evolution</category><category>nature</category></item><item><title>The Colossi Of Memnon In A Sandstorm</title><link>https://www.colemanm.org/micro/2024/11/04/the-colossi-of-memnon-in-a-sandstorm/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/11/04/the-colossi-of-memnon-in-a-sandstorm/</guid><description>The Colossi of Memnon in a Sandstorm. Karl Wilhelm Diefenbach, 1896.</description><pubDate>Mon, 04 Nov 2024 13:22:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/e0ae1f7a.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;The Colossi of Memnon in a Sandstorm&lt;/strong&gt;&lt;/em&gt;. Karl Wilhelm Diefenbach, 1896.&lt;/p&gt;</content:encoded><category>art</category><category>egypt</category></item><item><title>Gratitude And Resilience</title><link>https://www.colemanm.org/micro/2024/10/17/gratitude-and-resilience/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/10/17/gratitude-and-resilience/</guid><description>Gratitude is how we maintain the fragile, critical systems of relationships that come to our rescue when things go bad. Strong institutions get that way through the effortful work of the grateful to n…</description><pubDate>Thu, 17 Oct 2024 16:14:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.resextensa.co/p/gratitude-and-resilience&quot;&gt;Gratitude and Resilience&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Gratitude is how we maintain the fragile, critical systems of relationships that come to our rescue when things go bad. Strong institutions get that way through the effortful work of the grateful to nurture them on.&lt;/p&gt;</content:encoded><category>newsletter</category><category>gratitude</category><category>tradition</category><category>systems</category></item><item><title>Gratitude and Resilience</title><link>https://www.colemanm.org/post/gratitude-and-resilience/</link><guid isPermaLink="true">https://www.colemanm.org/post/gratitude-and-resilience/</guid><pubDate>Thu, 17 Oct 2024 16:10:00 GMT</pubDate><content:encoded>&lt;p&gt;My latest post at &lt;em&gt;Res Extensa&lt;/em&gt;, on the importance of gratitude and resilience for building the systems and networks we rely on in times of crisis.&lt;/p&gt;</content:encoded><category>newsletter</category><category>gratitude</category><category>systems</category><category>tradition</category></item><item><title>Shah I Zinda Mausoleum In Samarkand</title><link>https://www.colemanm.org/micro/2024/10/04/shah-i-zinda-mausoleum-in-samarkand/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/10/04/shah-i-zinda-mausoleum-in-samarkand/</guid><description>Shah-i-Zinda Mausoleum in Samarkand. Vasily Vereshchagin, 1869.</description><pubDate>Fri, 04 Oct 2024 10:02:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/2c59fc8e.jpg&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Shah-i-Zinda Mausoleum in Samarkand&lt;/em&gt;&lt;/strong&gt;. Vasily Vereshchagin, 1869.&lt;/p&gt;</content:encoded><category>art</category><category>russia</category></item><item><title>The Tech Canon</title><link>https://www.colemanm.org/micro/2024/09/16/the-tech-canon/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/09/16/the-tech-canon/</guid><description>My thoughts on the books that constitute Silicon Valley’s “canon” of essential, influential works. The Tech Canon</description><pubDate>Mon, 16 Sep 2024 16:18:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.resextensa.co/p/the-tech-canon&quot;&gt;The Tech Canon&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;My thoughts on the books that constitute Silicon Valley’s “canon” of essential, influential works.&lt;/p&gt;</content:encoded><category>books</category><category>technology</category></item><item><title>Stewart Brand</title><link>https://www.colemanm.org/micro/2024/09/16/stewart-brand/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/09/16/stewart-brand/</guid><description>Stewart Brand on tradition. From How Buildings Learn.</description><pubDate>Mon, 16 Sep 2024 13:34:00 GMT</pubDate><content:encoded>&lt;div class=&quot;micro-images&quot;&gt;&lt;figure&gt;&lt;img src=&quot;https://www.colemanm.org/images/micro/295894f1.png&quot; alt=&quot;&quot;/&gt;&lt;/figure&gt;&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;Stewart Brand&lt;/strong&gt; on tradition.&lt;/p&gt;
&lt;p&gt;From &lt;a href=&quot;https://www.resextensa.co/p/book-notes-stewart-brand-how-buildings-learn&quot;&gt;&lt;em&gt;How Buildings Learn&lt;/em&gt;&lt;/a&gt;.&lt;/p&gt;</content:encoded><category>tradition</category><category>quotes</category><category>books</category></item><item><title>Oscar Peterson Andre Previn</title><link>https://www.colemanm.org/micro/2024/08/31/oscar-peterson-andre-previn/</link><guid isPermaLink="true">https://www.colemanm.org/micro/2024/08/31/oscar-peterson-andre-previn/</guid><description>Jazz legend Oscar Peterson talks and plays with Andre Previn. Oscar Peterson &amp; Andre Previn</description><pubDate>Sat, 31 Aug 2024 16:00:00 GMT</pubDate><content:encoded>&lt;p&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=BFNsywQOW1I&quot;&gt;Oscar Peterson &amp; Andre Previn&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Jazz legend &lt;strong&gt;Oscar Peterson&lt;/strong&gt; talks and plays with &lt;strong&gt;Andre Previn&lt;/strong&gt;.&lt;/p&gt;</content:encoded><category>oscar peterson</category><category>andre previn</category><category>interview</category><category>music</category><category>jazz</category></item></channel></rss>