The Abstraction of AI

OpenAI launched a major update to Sora yesterday.

There’s something about AI video that just doesn’t get me excited.

Sound on. pic.twitter.com/QHDxq6ubGt

— OpenAI (@OpenAI) September 30, 2025

Sure, it’s impressive: we’ve created black magic-levels of technology that can summon real-looking images from the ether. We can type a request and generate whatever movie we want.

But one of the things that makes film exciting is not only its quality or entertainment value, but the knowledge that a human produced it. There’s an aesthetic to the depth of human involvement in the process that Sora can’t substitute for. The more we close the uncanny valley visually, the more repulsed we are when we do find out it was “just AI.” We assumed human achievement, but we’ve been lied to.

I know, I know. We’ve had CGI in film for years. What’s the difference between Sora or Veo and the machine-assisted CGI from Transformers or something? This actually admits to the problem. People have disliked the overuse of CGI for years. The practical filmmaking of Christopher Nolan or George Miller or Ridley Scott stands out in a field full of CGI slop. CGI was once simply the seasoning on the meal, now it’s become the meal itself.

There Will Be Blood is impressive as a human feat of planning and executing on a vision, creating a collection of ideas and making them real – from script writing to performance to location selection to cinematography. The oil derrick explosion scene is impressive not just for what it is to look at, but because wow, humans made that happen.

Or think about music. Bach’s compositions aren’t merely impressive for their technical complexity or because they sound beautiful; what sits with you after hearing the Well-Tempered Clavier is that a human came up with that out of thin eighteenth-century air. The idea itself that a regular person could create something so original, textured, and interesting is an essential part if its value.

AI-generated media is stripped of this humanity. If we know a server farm generated those pixels or sound waves, we find ourselves disconnected from the impressiveness of human achievement. We have no way to relate to it. I know that playing a guitar is hard, but typing a prompt to get the computer to do it? I have no idea. Definitely sounds a lot less hard to me.

The AI bulls will claim the creativity is in the prompting, that talent will emerge able to steer these models toward genius originality. There’s something to this, for sure. All creators and craftsmen leverage the tools at their disposal. Modern woodworkers have power tools to assist in furniture making. Musicians have precision instruments and recording gear that allow them to realize a closer representation of their vision. Every advance inserts a new layer of abstraction between human imagination and a realized idea.

But as we move up the abstraction ladder of creativity, I’m less impressed by the human aspects of the achievement. Our hand is further removed from the output. Am I impressed by a song composition piped into a computer for a computer to play back? Sure, maybe. But I’m all the more impressed when the composer sits at the piano and plays it with their own hands.

I can simultaneously believe a CNC-sculpted statue is impressive to look at, while I consider the David to be both an impressive sight and impressive employment of human craftsmanship. Both require skills, but one requires more skills.

There will always be a market for authenticity. We have an appreciation for the humanity conveyed by a Van Gogh that simply isn’t there and can’t be there in a Midjourney image. No matter how fancy the prompt engineering.