Coleman McCormick

Archive of posts with tag 'Media'

August 25, 2024 • #

Escape the Algorithm →

Wrote this week about the problems with feeds, algorithmic discovery, and passively letting the machines define your taste.

We all need a return to active participation in what we consume.

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Newsletters, Bundles, and Indie Publishing

August 14, 2020 • #

In his latest issue of The Diff, Byrne Hobart looks the economic models behind the boom in independent publishing and unbundling of analysis and journalism happening on platforms like Substack:

Bundles tend to grow until they reach a highly profitable mature state—at which point any change in the underlying audience, or the availability of competing products, seriously weakens their economics. The bigger a bundle gets, the more likely it is that a subset of users are all paying for basically one piece of the bundle, which could be sold separately at a better price. And as soon as a bundle is partially unbundled, there are two options: stop offering the part of the bundle that now has a competing single-purpose product, at which point the bundle switches from optimally-priced to overpriced, or keep offering it and accept lower margins. Bundles grow gracefully and shrink painfully.

Newsletters

There’s been talk in the tech world about a newsletter bubble, that readers have too many, can’t read them, and won’t be able to afford to pay for them. Some worry that we’re simply moving from the bundled world of old media to a fragmented space with hundreds of indies to have to subscribe to. Not unlike going from a $70/mo subscription to a Comcast cable bundle to a sum of 7 different $10-15/mo streaming services. They’re going over-the-top only to result in me paying the same thing for entertainment as before1. For written content, we once had to subscribe to the entire Washington Post or Wall Street Journal for writers we enjoy, bringing along “the rest” against our will. Now we can follow our preferred writers directly on their own properties.

In the case of journalism and written analysis, looking at it through only the cost lens is too simplistic. I’m a paid subscriber to 4 or 5 different independent writers’ newsletters, paying a sum greater than I did in total previously for all news subscriptions. But I’m getting a product that wasn’t even on offer in the old world model. Not to mention the freedom and range of motion it affords the writer to explore topics on the edges of their interest. Whatever they’re interested in they can explore, no need to stay in a particular lane to conform to the institutional menu.

I think a natural development we’ll see is new institutions forming around these publications, starting out with an independent writer or two and gradually expanding into larger operations. The Dispatch is at the top of the leaderboard on Substack, and they’re in the early days of building a company around it — destined to expand beyond the few core folks writing there today.

I like and generally support the idea of unbundling, with writers branching out to specialize in niches. This is what the internet has always been great for. Even with the novelty of newsletters as they’re discussed in media, the model is strikingly similar to what we had in the 2000-2006 era of blogs, with independent writers building up their own followings and revenue. What we didn’t have back then were healthy (and stable) income streams — it was mostly ad-driven, which is volatile, irritating to readers, and full of temptation to dabble in other less-than-savory means of making money. I don’t think the financial piece was the biggest problem; the tech was also still new and a high barrier to entry for many professional writers. Tools like Substack give consistency in revenue through subscription, no need to muck with advertisers, and simple publishing tools for dealing with subscriber management, authoring, and email delivery.

The more the space expands, though, the more discoverability will be key. Interesting writers getting a byline at the LA Times get sudden exposure if they can break through to getting a piece published. What does that breakthrough process look like in the indie publishing world? Algorithmic feeds of posts based on interests? Suggestions of complementary publications based on your current subscription list? Would it happen at the post level or publication level? Will someone build an aggregator service to bubble up the best stuff? It would be cool if all a writer needed to do was to write something interesting and have it be “picked up” in the right feed2.

I’m curious to see what kinds of bundles could be created from a decentralized network of long-form indie publications. If Byrne Hobart writes his own property on economics and business, as do Ben Thompson and Matt Levine in their own ways, could they form a “co-op”-like offering into which they each cross-post a selection of their work? If I didn’t want to pay $10/mo for each of them, maybe I could pay $15/mo and get a mixture of writings from each writer of their choosing. Medium’s Publication product works in a similar way technically, but I don’t know how it works from a monetization perspective. A sort of reconstitution of the bundle, but packaged in different recipes for different tastes.

Even if it feels like there’s a glut of newsletters out there to pick from and too much to read, I’d categorize it as a fantastic problem to have and improve upon. Diversity and experimentation are overdue since the heyday of blogs waned after Twitter and Facebook took over everyone’s attention. Big institutional media companies have only gotten less varied over the years, and few of them have figured out how to stay in business. It’s great to see so many independent writers and intellectuals able to drive a good living off of their ideas, creating “monopolies of one”:

Bundling reacts to differentiated desires by creating a less differentiated publication that’s fairly valuable to everyone. But as the cost of the reader’s time rises, focus pays off. And the subscription newsletter model makes it easier than it’s ever been to profitably focus on exactly one topic, and build a one-person monopoly.

  1. Granted, the quality and feature set might be better with on-demand and the available content catalog, but there’s still the downside of needing a suite of different apps of variable quality. And also having to realize which show is on what service. â†©

  2. Perhaps social media feeds fill this hole right now. And for newsletters, things like forwards to friends, etc. â†©

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Weekend Reading: Commercial Imagery, Proof Mechanisms, and Cinematic Universes

August 8, 2020 • #

🌏 The Commercial Satellite Imagery Business Model is Broken

My friend Joe Morrison’s latest is an extended rant on the commercial satellite imagery market, and a plea to that industry to rethink how they might improve their go-to-market approaches for selling to commercial businesses.

I can vouch for his account of what it’s like to work with a commercial provider first-hand. Their business models make it challenging to go direct-to-customer, even at fairly high price tags. Until they can lower the barrier to entry into the two- or three-figure territory for acquiring any imagery, I don’t see the market widening very much farther beyond the use cases commonly addressed today. It’s not just pricing, though; they need self-service, automated delivery mechanisms to get the scale economics working.

It’s still too niche of a business, to me, to be truly realized at SMB/mass market level. Perhaps the continued convergence of gaming tech, mapping, and imagery data will create new use cases and customers to ramp demand high enough to motivate some of what Joe is asking for.

đź“‘ Proof of X

Julian Lehr’s latest essay addresses proof mechanisms in internet services. How proof points relate to signaling. When new social networks emerge they have to introduce new proof mechanisms to differentiate themselves from existing incumbents. These can either be novel proof-of-creative-work hurdles or completely new proof-of-x mechanisms.

Also check out his previous related article on Signaling as a Service.

🎥 Cinematic Universes Aren’t New; They’re the Oldest Stories on Earth

The entertainment industry’s fascination with fantasy, science fiction, and superhero properties is giving people what they’ve wanted for thousands of years: epic, interconnected stories like those of Greek, Norse, and eastern mythologies:

At the core of our current fascination with the MCU or the Star Wars Galaxy is a fascinating fact: they resemble the epic stories that dominated human culture for thousands of years. They tell stories that feature countless characters, each one serving a role as part of an vast story, authored by scores of unknown writers and slowly shaped by audiences, each of whom could explain - if not detail - the particulars of these universes.

I’m currently making my way through Stephen Fry’s Mythos, his retelling of Greek mythology. The parallels between ancient myth and modern fictional universes like Marvel and Star Wars are striking, especially when you get to read them in a contemporary style from an author like Fry.

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Weekend Reading: Disintermediating Media, Boring Tech, and DIY Lights

July 25, 2020 • #

📨 Disintermediating the media with… Substack?

Jerry Brito writes about the growth of independent writing on Substack, prompted by a Mike Solana tweet:

From a technical perspective, Substack does not belong on Solana’s list next to Bitcoin and Signal. Signal is a company, but they have almost no information about their users—no names, no messages. Bitcoin is not a company, but instead a permissionless decentralized network, and “it” can’t decide who can use it or for what. Substack, on the other hand, is a centralized service that permissions who’s allowed on and what they can do, and it is subject to official and market pressures.

Comparisons to YouTube or Twitter are closer than to BTC or Signal, for sure. But even with Substack being a centralized platform, the risks are lower in the text or email medium; there’s high portability to move to other platforms at will. If you can move your content and your subscriber list, you can bring your audience. The primary advantages Substack has are that are hard to replicate (today) on your own hosted system are the publishing tools and monetization layer (though not impossible). Trying to disintermediate YouTube yourself would be hard, and transporting your Twitter network isn’t possible. SMTP, hypertext, and DNS are still open.

👨🏽‍💻 Choose Boring Technology

I love everything about this perspective:

The problem with “best tool for the job” thinking is that it takes a myopic view of the words “best” and “job.” Your job is keeping the company in business, god damn it. And the “best” tool is the one that occupies the “least worst” position for as many of your problems as possible.

It is basically always the case that the long-term costs of keeping a system working reliably vastly exceed any inconveniences you encounter while building it. Mature and productive developers understand this.

đź’ˇ Building DIY LED strips for fun

Matt Haughey went nuts on a custom lighting setup for his home office. I ran across this searching for some wirelessly controllable LEDs for my office bookshelf. Mine won’t be this crazy, but I wish I had the patience to do something like this.

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Weekend Reading: Children of Men, Google Earth at 15, and Slate Star Codex is Gone

June 27, 2020 • #

đź“˝ How Children of Men Became a Dystopian Masterpiece

I didn’t realize until reading this piece that this movie was a commercial flop. $70m gross on a $76m budget. I remember seeing this several times in theaters, and many times after. This retrospective (from 2016) brought the film back to mind and makes me want to rewatch.

🌍 15 Years of Google Earth and the Lessons That Went Unlearned

Brian Timoney:

Google Earth led us to vastly overestimate the average user’s willingness to figure out our map interfaces. The user experience was so novel and absorbing that people invested time into learning the interface: semi-complex navigation, toggling layers on and off, managing their own content, etc. Unfortunately, our stuff isn’t so novel and absorbing and we’ve learned the hard way that even those forced to use our interfaces for work seem very uninterested in even the most basic interactions.

It’s great to see Brian blogging again!

đź“„ Doxxing Scott Alexander is Profoundly Illiberal

What’s happening between the New York Times and psychiatrist-rationalist-blogger Scott Alexander is incredibly disappointing to see. In writing a story including him, they want to use his real name (which they found out somehow, S.A. is a pseudonym), which seems completely unnecessary and absurd to the point of disbelief — given the Times’ behavior and policies of late, there should be little benefit of the doubt given here. As a result of this, Scott has deleted his blog, one of the treasures of the internet.

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Dithering and Podcast Subscriptions

May 22, 2020 • #

A couple weeks ago Ben Thompson and John Gruber launched Dithering, a new podcast they’re doing together with a unique model: 15 minutes per episode, 3 times a week, only for paid subscribers. They launched with a dozen or so episodes in the can from over the previous month, so I’ve already gone through the back catalog.

As with the open web and individual creators running their own web properties (versus only creating for other platforms like Twitter or Medium), I love to see certain folks in the podcast space pushing for business models that allow them to remain independent. Like with web content, advertising has been the dominant monetization path for podcasts, but the ad reads can get annoying. Most of the time for my favorite programs, I’d be happy to subscribe and avoid ads. The creator also then gets the luxury of more regular cadence of revenue (since ad revenues can be volatile), maintains direct relationship with the audience, and has more flexibility with the programming structure not having to worry about ads.

I now have several shows in my subscriptions that I pay memberships for. There’s room to get even more creative with it, too, and I’m sure we’ll start seeing more experimentation on monetization strategies as podcasting keeps expanding.

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